File ARRI 16 ST Stativ, 1.jpg thumb 16mm Arriflex 16 SR See talk page File 16 mm Film camera.JPG right 300px thumb An Arriflex16SR camera 16 mm camera. Arriflex16SR is a movie camera product line created by Arri , introduced in 1975. This 16SR camera series is designed for 16 mm film 16 mm filmmaking in Standard 16 format. SR Stands for Silent Reflex. Later on in 1982, Arri released 16SR2, for improved the function of the previous version. In 1992, Arri released 16SR3, the latest and, the only series that can support Super 16 format in 16SR series. It appeared in two versions Advanced & HS High Speed , for the high speed shooting purpose. Arriflex16SR Introduced in 1975. Arri bayonet lens mount. Arriflex 16SR2 Introduced in 1982. Arri bayonet lens mount in early models. Arri PL PL lens mount in later models. Arriflex 16SR3 Introduced in 1992. Adding support of Super 16 format. Arri PL PL lens mount. Advanced Running speed 5 to 75 frame s HS High Speed Running Speed 5 to 150 frame s Read more Arriflex 416 , Arri s next generation s 16 mm camera system series. External links http www.arri.com prod cam 16sr3ad 16sr3ad.html Official Site of Arriflex16SR Series Category Movie cameras filming stub ... more details
Arriflex 416 is a movie camera product line created by Arri in 2006. This 416 camera series is designed for 16 mm film 16mm filmmaking in the Super16 format. The 416 series has some features that are derived from Arri s other 35 mm film 35mm cameras. The 416 series is compatible with some 35mm camera accessories, such as Arri PL PL mount lenses, base plates, matte boxes, follow focus units, etc. The 416 is used on movie and TV drama productions such as the 2008 movie Ivory , the 2010 movie Black Swan , the 2011 Indian film Dhobi Ghat film Dhobi Ghat and the 2008 TV drama Canterbury s Law . Arriflex 416 Introduced in 2006. Super 16 format. Arri PL PL mount lens mount. 45 to 180 shutter as 35 style camera. 35 style viewfinder. Use same video assist system as Arricam , Arriflex 435 Arriflex 435 Xtreme , and Arriflex 235. Running speed 1 to 75 frame s Arriflex 416 Plus Introduced with 416 at the same time. Same specification as 416 but also includes Integrated accessory electronics and radio for wireless remote control Arriflex 416 Plus HS Introduced in April 2008. Included specifications from 416 Plus, and provided high speed function for slow motion capturing. Running speed 1 to 150 frame s External links http www.arri.de camera 16 mm film arriflex 416416 plus.html & http www.arri.de camera 16 mm film arriflex 416 plus hs.html Official Sites of Arriflex 416 from Arri s Web site. Category Movie cameras ja 416 ... more details
The Arriflex D 21 is a film style digital motion picture camera introduced by Arri in 2008 to replace their earlier generation Arriflex D 20 . Overview The D 21 uses a Super 35 4 3 aspect ratio sized single CMOS sensor and accepts 35mm film camera lenses 54mm PL mount . It features an optical viewfinder and modular construction. ref name D21Official http www.arridigital.com technical cameraspecs d21 Arri Digital Official Arriflex D 21 site ref Image Capture The D 20 captures images in three general modes HD , Mscope , and Data . HD Mode HD422 16 9 or HD444 16 9 Mscope Mode Data Mode ARRIRAW 16 9 or ARRIRAW 4 3 Sensor Information The D 21 sensor is a CMOS chip with a Bayer mask. ref name ArriBayer http www.arridigital.com technical bayermask Arri Digtal Bayer Mask ref The full dimensions of the D 21 sensor are 2880x2160 pixels. ref name AlexaFAQ http www.arridigital.com alexa faq 1 1 Arri Alexa FAQ ref Similar cameras Arri Alexa Arriflex D 20 Panavision Genesis Panavision Genesis Red Digital Cinema Red One Sony F35 References reflist External links http www.arridigital.com technical cameraspecs d21 official http www.arridigital.com technical cameraspecs d21 Category Film and video technology Category Digital movie cameras ... more details
File Arri35 IIb.jpg thumb 300px An Arriflex 35 IIB, with three lenses and a 120 m 400 ft magazine Arriflex 35 1937 was the first reflex 35mm motion picture camera. Built around the spinning mirror reflex shutter designed by Erich K stner camera designer Erich K stner , Chief Engineer for Arnold & Richter Cine Technik ARRI , Arri Arri Group . It allows the operator to have a viewfinder image equal to the recorded picture. Used extensively in motion pictures, a staple of production, ignited and unleashed film makers from large studio cameras allowing for location filming and unique camera movement. Widely used in 200 ft loading as a battlefield camera in WWII for collecting battle front intelligence, e.g. for analysing weapons effectiveness , for training films and for potential use in propaganda cinema films. The camera utilizes a three turret bayonet lens mount, and is capable of frame rates up to 90 frames per second. Film magazines for 200 or 400 foot loads. The DC motor mounts down and used as a hand grip. Later were developed flat base mount AC motors allowing the camera to have a lower profile, center of gravity where the motor mounted on the side of the camera body vertical or horizontal on the various bases, giving the camera better operating balance while used on tripod pan heads and a more compact profile for blimping . New models appeared over the years the 35 II in 1946, the IIA in 1953, the IIB in 1960 and finally, the IIC in 1964. In 1979, the II series was superseded by the Arriflex 35 3 model, a different design with a less rounded appearance. External links http www.cinematechnic.com resources arri 35 2.html Detailed information Category Movie cameras Category Film and video technology de Arriflex ... more details
Infobox Movie Camera cameraline Arriflex 535 image Ramachandra Babu.jpg caption Indian cinematographer Ramachandra Babu with Arriflex 535 Camera. models 535 aka 535 A , 535 B manufacturer Arri introduced 1990 535 , 1992 535 B gauge 35 mm film 35 mm weight 7.7 kg 17.0 lbs without camera magazine magazine movement Seven link with dual registration pin s and pulldown claws, for 35 mm negativefilm DIN 15 501 speed 3 60 frames per second, forward and reverse. Crystal accurate to 0.0001 Fact date June 2009 frame s. aperturesize .945 x .710 apertureplate removable motor DC with quartz crystal control indicators speed, run, counter ft or m , shutter angle , time code user bit and sensitivity level , voltage, incorrect movement, asynchronous speed, low battery, film end lensmount Arri PL Super 35 compatible lenscontrol Arri style follow focus. shutter reflex mirror manual model stops at 15 , 30 , 45 , 60 , 75 , 90 , 105 , 120 , 135 , 150 , 144 , 165 , 172.8 , 180 . videoassist Integrated Video System IVS magazines rear mounted, available in 400 ft 122 m coaxial, 1000 ft 300 m coaxial, and convert 400 ft m abbr on displacement Steadicam sizes. magazinetype Coaxial type magazine filmcores standard cores batteries 24V The Arriflex 535 is a movie camera product line created by Arri in 1990 to replace the Arriflex BL line. As such, its potential applications are widespread, and thus it is regularly used on music videos, commercials, second unit work on features, special effects work, and motion control, among other usage. Before the introduction of the Arricam System, the 535 was one of the most popular 35 mm sync sound movie camera in usage Fact reason JUNE 2009 date June 2009 , due to its wide range of production adoption, intuitive design, high reliability, and retail availability. In recognition of the achievements of the 535 system, AMPAS awarded Arri a Scientific and Engineering ... links http www.arri.de camera 35 mm film arriflex 535 b.html Arriflex 535 B Category Movie cameras ... more details
from Arri film camera models most notably the Arriflex 435 435ES , assuring compatibility with Arri ... in 2008 and the D 21 was introduced. Films shot with Arriflex D 20 The Bank Job RocknRolla The Andromeda ... user experience with the D 20. Indie filmmaker reviews http www.filmdailies.com archives arri arriflex d20 Arriflex D 20 CSC News Article http www.csc.ca news default.asp?aID 1304 Arriflex D20 Anthem VFX works with footage from Arriflex D20 on the Mini Series Tin Man http www.studiodaily.com filmandvideo projects f tvprogramming 8877.html Studio Daily The Arriflex D20 officially landed in South ... technology Category Digital movie cameras ja D 20 tr Arriflex D 20 ... more details
Infobox Movie Camera cameraline Arriflex 435 image Arri435 filmcamera.jpg caption Released in 2004, the Arriflex 435 Xtreme is the most recent iteration in the 435 product line. models 435 manual shutter , 435ES, 435 Advanced, 435 Xtreme manufacturer Arri introduced 1995 435 and ES , 2001 Advanced , 2004 Xtreme gauge 35 mm film 35 mm weight 6.5 kg 14.3 lbs without camera magazine magazine movement Five link Fact date June 2009 with dual registration pin s and pulldown claws, 3 or 4 perf negative pulldown pulldown speed 1 150 frames per second, forward and reverse, expanded to 0.1 150 for Advanced and Xtreme. Crystal accurate to 0.001 frame s. Integrated capping shutter for single frame or intervalometer functions. aperturesize .945 x .710 apertureplate removable motor DC with quartz crystal control operatingnoiselevel MOS film MOS indicators speed, run, counter ft or m , shutter angle , time code user bit and sensitivity level , voltage, incorrect movement, asynchronous speed, low battery, film end lensmount Arri PL Super 35 compatible lenscontrol Arri style follow focus. Integrated Lens Data System LDS and Lens Control System LCS in Advanced and Xtreme models may be added as accessory for manual and ES. shutter reflex mirror manual model stops at 11.2 , 22.5 , 30 , 45 , 60 , 75 , 90 , 105 , 120 , 135 , 144 , 172.8 and 180 , all other models can be adjusted continuously between 11.2 and 180 while either running or in standby mode viewfinder covers Super 35 , rotates 360 and to left ..., takes up emulsion in 9P design filmcores standard cores matteboxes Arriflex MB or LMB models, 19 ... set, shoulder cushion, underslung bracket for Steadicam The Arriflex 435 is a movie camera product line created by Arri in 1995 to replace the Arriflex 35III line. The number reflects its position ... compatibility with older Arri magazines compatibility with some Arriflex 535 accessories timecode capability ... 1&cat 187&id 64&node c0,c1,c17,c20 Panavision Pan Arri 435 Category Movie cameras fr Arriflex 435 laveeth ... more details
Unreferenced date December 2009 Arri bayonet is a lens mount developed by Arri for use with both 16 mm and 35 mm movie camera lenses. Lenses of this type are distinguished by outer wings which both control aperture and bayonet alignment, and are placed in the mount while two pressure tabs are simultaneously depressed at the side of the lens mount on the camera. These tabs provide a relatively strong locking mechanism which allows for higher quality lens seating than offered by the Arri standard mount. Debuting in 1965 with the 16BL, the Arri bayonet mount superseded the Arri standard mount, but cameras with the bayonet mount were also able to accommodate Arri standard lenses due to both mounts having the same flange focal distance and diameter. However, cameras with Arri standard mounts were unable to fit lenses with Arri bayonet mounts, due to the locking mechanism. The bayonet mount began to be superseded around 1980 by the Arri PL mount, which has since become an overwhelmingly predominant mount for most modern cameras, along with Panavision and their PV mount . Technical specifications Flange focal distance 52.00 mm Diameter 41.00 mm Cameras all are Arri models 35 mm Arriflex 35IIC later models , Arriflex 35BL1, Arriflex 35BL2, 35BL3 early models , and Arriflex 35III early models 16 mm SB only one turret , ST B only one turret , M B, 16BL, Arriflex 16SR , and Arriflex 16SR Arriflex 16SR2 early models . S start Succession box title Arri lens mounts years before Arri standard after Arri PL End External links http us.arri mount.passion.pro List of some arri mount lens . Collection of cine optics and photos of them. DEFAULTSORT Arri Bayonet Category Lens mounts Filming stub ... more details
1965 Arritechno 35 1971 Arriflex 35BL 1972 Arriflex16SR 1975 Arriflex III 1979 Arriflex 765 1989 ... and portable Kinarri 35. In 1937 Arri introduced the world s first reflex mirror shutter in the Arriflex ... Hollywood film to employ an Arriflex was in 1947 for Dark Passage , starring Humphrey Bogart ..., more than 17,000 Arriflex 35s were built. File Ramachandra Babu.jpg thumb right Indian cinematographer Ramachandra Babu with Arriflex 535 Camera At the same time, the company manufactured light ... of the Arriflex 16ST camera revolutionized the 16 mm format as a cheaper news gathering and television medium, and the Arriflex 35BL provided a lightweight, quiet alternative to the rather heavy .... Arri developed the Arriflex D 21 high definition camera. The camera uses a 35 mm CMOS sensor instead .... ref http www.arri.com prod cam d 20 d 20.htm Arriflex D 20 picture and description ref This technology ... include the Arriflex 235, a compact 35 mm camera the Master Prime lens series the Ultra ... kW or 12 kW bulbs and the Arriflex 416, a 16 mm camera optimized for high end production ... Arts and Sciences to Arnold & Richter KG for the design and development of the ARRIFLEX 35mm portable ... of the ARRIFLEX 35BL motion picture camera. 1973 ref http awardsdatabase.oscars.org ampas awards ... of Motion Picture Arts and Sciences to Arnold & Richter engineering staff Otto Blaschek and Arriflex Corporation for the concept and engineering of the ARRIFLEX 35 III motion picture camera. 1988 ... & Richter for the continued design improvements of the ARRIFLEX BL camera system, culminating ... of the ARRIFLEX 765 camera system for motion picture photography. 1992 ref http awardsdatabase.oscars.org ... to Arnold & Richter Cine Technik and ARRI USA, Inc. for the concept and engineering of the ARRIFLEX ... Arriflex Variable Prime Lenses. 1998 ref http awardsdatabase.oscars.org ampas awards DisplayMain.jsp ..., Thomas Smidek and Marc Shipman Mueller for the design and development of the Arriflex 235 Camera ... more details
universal Arriflex 16HSR2 Super 16 Arriflex16SR Arri 1982 convert 11.02 lb abbr on , with empty magazine Sync Arri bayonet Arri PL for some later models Arriflex 16SR2 Super 16 Arriflex16SR Arri ... XTR Aaton XTR Aaton 1984 Sync Aaton universal Arriflex 16HSR3 Arriflex16SR Arri 1992 convert 14.5 lb abbr on Sync Arri PL Arriflex 16SR3 Arriflex16SR Arri 1992 convert 14.5 lb abbr on Sync Arri PL X0plus ... dates to the 1970s, when Arri s Arriflex 35BL and Panavision s original Panaflex models emerged as the first ... Eyemo Bell and Howell 1925 convert 11 lb abbr on MOS N A Arriflex 35 2C Arriflex 35 II Arri 1964 convert 13.5 lb abbr on , with empty magazine MOS N A Arriflex 35BL 1 Arriflex 35BL Arri 1972 convert ... lb abbr on Sync 24 dB Arriflex 35BL 2 Arriflex 35BL Arri 1975 convert 28.5 lb abbr on , with empty magazine ... Sync 24 dB Arriflex 35BL 3 Arriflex 35BL Arri 1980 convert 28.7 lb abbr on , with empty magazine Sync 22 dB Arriflex 35 3C Arriflex 35 III Arri 1982 convert 8.8 lb abbr on convert 13.5 lb abbr ... lb abbr on Sync 20 dB Arriflex 35BL 4 Arriflex 35BL Arri 1986 convert 30.9 lb abbr on , with empty ... Panastar II Panaflex Panastar Panavision 1987 convert 24.4 lb abbr on MOS N A Arriflex 35BL 4s Arriflex 35BL Arri 1988 convert 31.9 lb abbr on , with empty magazine Sync 20 dB Arriflex 535 Arriflex ... 1990 convert 13.6 lb abbr on Sync 20 dB Arriflex 535B Arriflex 535 Arri 1992 convert 26 lb abbr on , with empty magazine Sync 19 dB Arriflex 435 Arriflex 435 Arri 1995 convert 14.3 lb abbr on , without magazine MOS N A Arriflex 435ES Arriflex 435 Arri 1995 convert 14.3 lb abbr on , without magazine ... Sync 20 dB Arriflex 435 Advanced Arriflex 435 Arri 2001 convert 14.3 lb abbr on , without ... battery Sync 30 dB 4 perf , 24 dB 3 perf Arriflex 235 Arriflex 235 Arri 2004 convert 7.7 lb abbr on , with viewfinder MOS N A Arriflex 435 Xtreme Arriflex 435 Arri 2004 convert 14.3 lb abbr ... No Arriflex 35 2C Arri standard and Arri bayonet No, but conversions exist Academy ratio fixed none ... more details
Infobox Film name Reconstruction image Reconstruction 2003film.jpg caption director Christoffer Boe producer Tine Grew Pfeiffer writer Christoffer Boe br Mogens Rukov starring Nikolaj Lie Kaas br Maria Bonnevie br Krister Henriksson br Nicolas Bro music Thomas Knak Thomas Knack cinematography Manuel Alberto Claro editing studio Nordisk Film distributor released September 26, 2003 runtime 91 minutes country Film Denmark language Danish br Swedish budget gross Reconstruction is the psychological romantic drama film and the debut of Christoffer Boe , who also wrote the screenplay together with Mogens Rukov . It was filmed in Copenhagen and won the Camera D Or at the Cannes Film Festival in 2003 Golden Plaque for Manuel Alberto Claro s luminous wide screen cinematography. Plot The central character is Alex Nikolaj Lie Kaas , a Denmark Danish photographer with a Stockholm bred girlfriend, Simone Maria Bonnevie . Late one evening Alex suddenly abandons his girlfriend, Simone, to pursue the beautiful Aimee Maria Bonnevie . In his encounter with Aimee time and place dissolve for him and he becomes a stranger to Simone, to whom he cannot return. It s all a film. It s all a construction, announces the narrator, who is soon revealed to be a noted Swedish author, August Krister Henriksson , as well as the tale s apparent inventor. Shooting The film was shot almost entirely in available light. Using available lighting is not merely stylistic. Christoffer Boe Boe doesn t work with storyboards or set schedules. ref http digitalcontentproducer.com mag video fade black 31 Fade to Black Christoffer Boe ref They shot 16 mm film Super 16 on an Arriflex 16SR Arri SR3 using three different stocks. Then the film was scanned, color graded, and digitally masked to CinemaScope . The scan was a simple one light, and the team did no color correction, the opposite of today s trend to perform a digital intermediate. They also pushed the emulsion for extra grain. ref http digitalcontentproducer.c ... more details
that led to the Eclair 16 . Arri took many years to catch up, debuting the popular Arriflex 16BL in 1965, but not including quick change magazines until the Arriflex16SR ten years later. In the meantime ... in the way of dialogue. They were joined by the revolutionary new Arriflex 35 camera, introduced .... With the Allied capture of Arriflexes, along with the release of the new Arriflex II in 1946, many ... released the Arriflex 16ST , the first reflex camera designed specifically for 16 mm. New Wave ... more details
435 may refer to 435 , the year. 435, the number of members of the United States House of Representatives . Area code 435 Arriflex 435 , a movie camera numberdis az 435 d qiql dirm it 435 disambigua ht 435 menm non ... more details
wiktionary d20 D20 , D 20 or d20 may refer to D20 road Croatia , a state road d20 System , a system for role playing games Arriflex D 20 , a film style digital high definition movie camera Chevrolet D 20 , a pick up truck made in Brazil and Argentina 152 mm towed gun howitzer M1955 D 20 , a Soviet artillery piece Dublin 20 , a Dublin, Ireland postal district Heavy water , or deuterium oxide D sub 2 sub O or sup 2 sup H sub 2 sub O D20, a diffractometer located at Institut Laue Langevin used in neutron research d20, a twenty sided polyhedral die D 20, a version of the Roland D 50 synthesizer Letter NumberCombDisambig ca D20 it D20 nl D20 pt D20 zh D20 ... more details
D21 , D.XXI , D.21 or D 21 may refer to D21 Navara , a Nissan car Arriflex D 21 , a film style digital motion picture camera Dewoitine D.21 , a 1925 French open cockpit, fixed undercarriage monoplane fighter aircraft Fokker D.XXI , a 1935 Dutch fighter aircraft HMS Shah D21 , a 1943 British Royal Navy escort aircraft carrier Lockheed D 21 M 21 , a 1962 American Mach 3 reconnaissance drone Allis Chalmers D21 D21 road Croatia , a state road and also D21 Zulia, a Venezuelan Navy Nueva Esparta class destroyer Chondroma ICD 10 code DataSAAB D21 , a computer from DataSAAB a D 21 Special, a guitar made by Martin Guitar Letter NumberCombDisambig it D21 nl D21 ja D21 ... more details
Unreferenced date January 2007 August Arnold ca. 1900 1983 Germany was a film producer , inventor and co founder, along with partner Robert Richter film producer Robert Richter , of the Arnold & Richter Cine Technik AR , Arri Arri Group . In 1937 along with his chief engineer, Erich K stner camera designer Erich K stner , he developed the first reflex 35mm motion picture camera, the Arriflex 35 . Persondata Metadata see Wikipedia Persondata . NAME Arnold, August ALTERNATIVE NAMES SHORT DESCRIPTION DATE OF BIRTH PLACE OF BIRTH DATE OF DEATH 1983 PLACE OF DEATH DEFAULTSORT Arnold, August Category 1900s births Category 1983 deaths Category German film producers Category Commanders Crosses of the Order of Merit of the Federal Republic of Germany Category Members of the Bavarian Maximilian Order for Science and Art Germany film bio stub film producer stub de August Arnold Regisseur lb August Arnold ... more details
In 1989, Germany s Isco Optic developed a line of Anamorphic lens optics Lenses especially for Arriflex , which were given the moniker Arriscope . ArriScope and ArriVision are a form of the CinemaScope Panavision process with an Aspect ratio image aspect ratio of 2.39 1. Use ArriScope was first used on the production of Body Snatchers 1993 , the second Remake of the Don Siegel Sci fi Thriller genre Thriller . In the 1980s ArriVision was used for a number of 3 D feature films, including Friday the 13th Part III 1982 , Amityville 3 D 1983 , and Jaws 3 D 1983 . Popularity and Drawbacks In general however the lenses never became popular for anamorphic films because they are very heavy and had Breathing lens breathing problems. Arri have sold most of them to India and are not even renting them out anymore. The current market for PL mount anamorphic lenses is being serviced by Vantage Film makers of the Hawks lenses , Elite and Joe Dunton Company. Specifications Film gauge 35mm Direction of travel Vertical four perforations 24 frame s Aperture Dimensions 0.864 x 0.732 nominal Aspect ratio image Aspect ratio 2.39 1 External links http www.dvdaust.com film formats.htm Film Formats Category Film and video technology ... more details
cores matteboxes Arriflex MB or LMB models, 15 or 19 mm rods electronicaccessories 24 V and 12 V ports ... camera line manufactured by Arri . It is Arri s flagship sync sound camera line, replacing the Arriflex ... and the interchangeable accessories and complex electronic integration of the Arriflex ... Official site Category Movie cameras fr Arriflex Arricam ... more details
refimprove date December 2009 TOCright Digital movie cameras for digital cinematography are typically purpose designed professional video camera s designed for the capture of high optical resolution , high dynamic range imagery. Different digital movie cameras output a variety of different Digital cinematography Acquisition Formats acquisition formats . Cameras designed for domestic use have also been used for some low budget independent productions. Professional File Eubank Love 2011 Figur Genesis 1.jpg thumb Panavision Genesis There are a number of video cameras on the market designed specifically for high end digital cinematography use. These cameras typically offer relatively large sensors, selectable frame rates, recording options with low compression ratios or in some cases with no compression, and the ability to use high quality optics. Some of the cameras are expensive and some are only available to rent. Some professional digital cinema cameras include Arriflex D 20 , Arriflex D 21 , Arri Alexa CineAlta Sony CineAlta Dalsa Origin Genesis Panavision Panavision Genesis Red Digital Cinema Camera Company Red One Varicam Panasonic VariCam http www.Visionresearch.com Vision Research Phantom HD, HD GOLD, 65, Flex Weisscam WEISSCAM HS 2 P S Technik PS Cam X35 Prosumer and consumer cameras File Arriflex D 21 a.jpg thumb 270px The digital movie camera Arriflex D 21 of Arri. Independent filmmakers have also pressed low cost consumer and prosumer cameras into service for digital filmmaking. Though image quality is typically much lower than what can be produced with professional digital cinematography cameras, the technology has steadily improved, most significantly in the last several years with the arrival of high definition cameras in this market. These inexpensive cameras are limited by their relatively high compression ratios, their small sensors, and the quality of their optics. Many have integrated lenses which cannot be changed. Standard definition DV MiniDV is ... more details
orphan date August 2010 BLP sources date August 2010 Mahmoud Koushan or Mahmoud Kushan is one of the pioneer Iranian cinematographers. He was born in Tehran in 1933, and is the brother of filmmaker Esmail Koushan . He was the first Iranian filmmaker who went to Italy and Germany for technical training at Cinecitt Studios, Agfa Laboratories and Arriflex Cameras. He worked as a Lab Technician, Sound Recordist, Editor, Assistant Camera and Gaffer before he shot his first film, Amir Arsalan , as cinematographer in 1955. He directed his first film, Nouveau Riche in 1961 and was the first to shoot Iranian CinemaScope & color feature films. Broken Spell film Broken Spell 1958 was recognized at the 9th Berlin International Film Festival Berlin Film Festival for his color cinematography. He won Best Cinematography for Joseph and Zoleika at the Sepas Film Festival in 1968. He was banned from working as a filmmaker after the Iranian 1979 revolution. He has worked on some productions as cinematographer in the early 1990s in Iran. External links http www.citwf.com person464439.htm Filmography at CITWF Persondata NAME ALTERNATIVE NAMES SHORT DESCRIPTION DATE OF BIRTH 1933 PLACE OF BIRTH DATE OF DEATH PLACE OF DEATH Category Living people Category Iranian cinematographers Category 1933 births Category People from Tehran Category Iranian film directors ... more details
equipment includes Arriflex and Aaton 16mm and Super16mm, and Super 8 mm film Super8 cameras Digital HD cameras, Final Cut Pro editing stations, Arriflex and Mole Richardson tungsten and HMI location ... more details
selling well. In 1972 Panavision and Arriflex came to market with their lighter weight 35mm cameras. Panavision s Panaflex and the German Arriflex 35BL I. These cameras were not blimped in the sense ... assist. It used the PL lens mount Arriflex had introduced. The camera s electronics were cutting ... more details
Arriflex BL1 and Arriflex IIC 35mm cameras for the Techniscope 2 perf format. ref name ac ... Magazine Vol. 81, No. 2, pp.96 107. ref Aaton, Panavision, and Arriflex have modern 2 perf cameras ... cameras like Arriflex 2A B C Arri 3, Arri BL, Mitchell, Eclair, Moviecam. Techniscope vs. anamorphic ... more details
Encyclopedia
top
