Refimprove date September 2008 Recitative IPAc en icon r s t t i v , also known by its Italian ... aria or ensemble, where the pulse is entirely governed by the music. Recitative does not repeat .... The term recitative or occasionally liturgical recitative is also applied to the simpler ... liturgy preface and collect s. Origins The first use of recitative in opera was preceded by the monody ... for The Barber of Seville and La Cenerentola were composed by assistants. Secco Secco recitative ... s, are especially notable. In the early operas and cantatas of the Florentine school, secco recitative ... observed once more. Accompagnato Accompanied recitative, known as accompagnato or stromentato .... Many of Wagner s operas employ sections which are analogous to accompanied recitative. Recitative ... it in his opera Porgy and Bess , though sometimes, the recitative in that work is changed to spoken dialogue. Porgy and Bess has also been staged as a musical rather than as an opera. Instrumental RecitativeRecitative has also sometimes been used to refer to parts of purely instrumental works which ... s violin concerto in D, RV 208 which is marked Recitative , although it is perhaps more virtuosic and flashy than most operatic recitative. C. P. E. Bach included instrumental recitative in his Prussian ... recitative. Ludwig van Beethoven used the instrumental recitative in at least three works ... Ninth Symphony. Here, Beethoven inscribed on the score in French In the manner of a recitative ... an instrumental recitative, ref Leon Plantinga, Beethoven s Concertos History, Style, Performance ... , 195 212. ref Other Romantic music Romantic composers to employ instrumental recitative include Nikolai Rimsky Korsakov who composed a lyrical, virtuosic recitative for solo violin with harp accompaniment ... a trombone recitative as part of its Introduction . Arnold Schoenberg labeled the last of his Five Orchestral Pieces , Op. 16 The obligato recitative and also composed a piece for Organ music ... more details
Image Georg Philipp Telemann Portrait.jpg thumb 170px right Georg Philipp Telemann, the composer of Hamburger Admiralit tsmusik . Hamburger Admiralit tsmusik Hamburg Admiralty Music TWV 24 1 is a secular oratorio for soloists, choir and orchestra composed by Georg Philipp Telemann to celebrate the 100th anniversary of Hamburg s admiralty. It was first performed on April 6, 1723 along with Telemann s Water Music Telemann Wassermusik at a banquet for the city s merchants, sea captains, and councillors that lasted until dawn. The work is on a nautical theme and set to verses by Michael Richey, a professor at the Johanneum school in Hamburg where Telemann also taught. Structure Image Hamburg.Wappen.Admiralit t.wmt.jpg thumb 140px right Emblem of the Hamburg Admiralty. Overture in D major Choir Chorus Unschatzbarer Vorwurf Erkenntlicher Sinnen Recitative So Lange Mir Der Augen Licht Erlaubt Aria Ich Nahre Dich Mit Tausend Freuden Recitative Jawohl, Gluckselge Stadt Aria In Der Borse Gepresstem Getummel Recitative Beruhme Dich, Mercur, Der Ruhe Nicht Aria Die Freiheit Schmeichelt Zwar Recitative Unleugbar Ist Dein Ruhm Aria Recher Harpyien Recitative Ich Hore... Aria Round Song Gluck Zu Recitative Mit Was Fur Unverrhofften Choren Aria Mit Euch, Ihr Holden Beiden Recitative Der Elbe Dienstbeflissne Wellen Aria Dein Wohlergehn, O Schonste Recitative Und Ich, O Meines Ufers Konigin Aria Schwelt, Ihr Wasserreichen Grunde Recitative Schau, Machtiger Neptun Aria Duet Erwahle, Mit Gewognet Hand Recitative Welch Angenehmer Aufenthalt Chorus of The Nymphs And Tritons Sage, Schonster Nymphenchor Recitative Mein Gluck Ist Ungemein Aria Wann Himmel Und Erde Veralten Recitative Mit Innigstem Ergotzen Aria Steh Aller Welt Zum Wunder Da Recitative Wunscht Jedermann Dem Werten Hamburg Aria Gewogener Sternen Erfreuliche Schlusse Recitative and Chorus Ihr Gotter Aria Ihr Munteren Horner Recitative So Recht Concluding Chorus Hamburg, Du Ehre Scoring The Hamburger Admiralit tsmusik was compo ... more details
as yonder sheep 1 17 Chorus Gay and light as yonder sheep 1 18 Recitative Nabal Tis Carmel s annual holiday 1 19 Chorus Happy, while we reign in pleasure 2 1 Recitative David Asaph, tis well advis d 2 2 Air David Great Creator 2 3 Chorus God, who in they heav nly hand 2 4 Recitative and Accompagnato Asaph Thus saith my Lord 2 5 Air Asaph Grateful hearts enjoy the blessing 2 6 Recitative Nabal ... 2 11 Accompagnato Abigail Thrice happy sheep 2 12 Air Abigail Mind eternal 2 13 Recitative Shepherd ...? 3 4 Recitative Shepherd How soon the scene is chang d 3 5 Chorus By slow degrees the wrath of God 3 6 Recitative Asaph A messenger, my Lord 3 7 Air Asaph When beauty sorrow s livery wears 3 8 Recitative David True is your observation 3 9 Air David Lovely beauty 3 10 Recitative Abigail Behold Thine ... Shepherd, Asaph Thrice happy pair 3 14 Solo and chorus Shepherd Still caressing 3 15 Recitative Abigail ... more details
Recitative Aria Characters rowspan 16 Act 1 rowspan 2 Scene 1 Recitative Prence Lo so vi devo Bajazet, Andronico Aria Del destin non dee lagnarsi Bajazet rowspan 2 Scene 2 Recitative Non si perda di vista Andronico, Idaspe Aria Nasce rosa lusinghiera Idaspe rowspan 2 Scene 3 Recitative Principe, or ora i greci Tamerlano, Andronico Aria In si torbida procella Tamerlano rowspan 2 Scene 4 Recitative Il Tartaro ama Asteria Andronico Aria Quel ciglio vezzosetto Andronico rowspan 2 Scene 5 6 Recitative ... 8 Recitative Non ascolto pi nulla Bajazet, Asteria, Andronico Aria Amare un alma ingrata Asteria rowspan 2 Scene 9 Recitative Cos la sposa il Tamerlano accoglie? Irene, Andronico, Idaspe Aria Qual guerriero in campo armato Irene rowspan 2 Scene 10 Recitative bella Irene Andronico Aria Non ho nel sen constanza Andronico rowspan 17 Act 2 Scene 1 Recitative Amico, tengo un testimon fedele Tamerlano, Andronico rowspan 2 Scene 2 Recitative Sarete or ostinato Idaspe, Andronico Aria Anche il mar par che sommerga Idaspe rowspan 2 Scene 3 Recitative Gloria, sdegno ed amore Asteria, Andronico Aria Stringi le mie catene Asteria rowspan 2 Scene 4 Recitative Ah, disperato Andronico Andronico Aria La sorte mia spietata Andronico rowspan 2 Scene 5 Recitative Signor, vergine illustre Idaspe, Tamerlano, Irene, Asteria Aria Cruda sorte, avverso fato Tamerlano rowspan 2 Scene 6 Recitative Senti, chiunque tu sia Asteria, Irene Aria La cervetta timidetta Asteria rowspan 2 Scene 7 Recitative Gran cose ... 8 Recitative Dov mia figlia, Andronico? Bajazet, Andronico Aria Dov la figla? Bajazet rowspan 2 Scene 9 Recitative Asteria, siamo al soglio... Accompagnato Odi, perfida Tamerlano, Asteria, Bajazet ... Act 3 rowspan 2 Scene 1 Recitative Figlia, siam rei Bajazet, Asteria Aria Veder parmi, or che nel fondo Bajazet rowspan 2 Scene 2 3 Recitative Andronico, il mio amore Tamerlano, Andronico, Asteria, Bajazet Aria Barbaro traditor Tamerlano rowspan 2 Scene 4 Recitative Lascer di regnare Andronico Aria ... more details
chorus li li Almighty Power Solomon accompagnato li li Imperial Solomon Zadok recitative li li Sacred raptures Zadok air li li Throughout the land chorus li li Bless d be the Lord Solomon recitative ... Queen Solomon recitative li li Bless d the day Queen air li li Thou fair inhabitant of Nile Solomon, Queen recitative li li Welcome as the dawn of day Queen Solomon duet li li Vain are the transient beauties Solomon recitative li li Indulge thy faith Zadok air li li My blooming fair Solomon recitative ... thou art absent Queen recitative li li With thee th unshelter d moor Queen air li li May no rash ... ol start 22 li From the censer chorus li li Prais d be the Lord Solomon recitative li li When the sun o er yonder hills Solomon air li li Great prince Levite recitative li li Thrice bless ... liege Attendant, Solomon recitative li ol Scene 3 To them the two harlots ol start 28 li Thou son of David First harlot recitative li li Words are weak First and second harlot, Solomon trio li li What says the other Solomon, second harlot recitative li li Thy sentence, great king Second harlot air li li Withhold, withhold the executing hand First harlot recitative li li Can I see my infant gor d ..., Solomon duet li li From the east unto the west chorus li li From morn to eve Zadok recitative li li See the tall palm Zadok air li li No more shall armed bands First harlot recitative li li Beneath ... 43 li From Arabia s spicy shores Queen of Sheba, Solomon recitative li li Ev ry sight these eyes behold Queen of Sheba air li li Sweep, sweep the string Solomon recitative li li Music spread thy voice ... rage remove Solomon recitative li li Draw the tear from hopeless love chorus li li Next the tortur d soul release Solomon recitative li li Thus rolling surge rise Solomon and chorus li li Thy harmony s divine Queen of Sheba recitative li li Pious king Levite air li li Thrice happy king Zadok recitative ... recitative li li How green our fertile pastures look Solomon air li li May peace in Salem Queen of Sheba ... more details
Infobox Album See Wikipedia WikiProject Albums Name Oedipus Tex and Other Choral Calamities Type studio Artist P. D. Q. Bach Peter Schickele Cover Pdq bach oedipus tex.jpg Released 1990 Recorded Genre Length Label Telarc Producer Reviews Last album 1712 Overture and Other Musical Assaults br 1989 This album Oedipus Tex and Other Choral Calamities br 1990 Next album WTWP Classical Talkity Talk Radio br 1991 Oedipus Tex and Other Choral Calamities was released in 1990 by Telarc Records . The album contains works by Peter Schickele under his alter ego of P. D. Q. Bach . Oedipus Tex is described as the dramatic oratorio that demonstrates that the only two sure things in life are death and Texas. Performers Professor Peter Schickele , conductor, bass The Greater Hoople Area Off Season Philharmonic, Newton Weyland , conductor The Okay Chorale Grandmaster Flab and the Hoople Funkharmonic Pamela South , soprano Billie Jo Casta Dana Krueger , mezzo soprano Madame Peep Frank Kelley tenor Brice Andrus , horn Track listing 1. Introduction br Oedipus Tex , dramatic oratorio for soloists, chorus and orchestra, S. 150 P.D.Q. Bach 2. I. Prologue Tragedy 3. Recitative Well 4. II. Aria with chorus Howdy there 5. Recitative And it wasn t long 6. III. Duet with chorus My heart 7. Recitative But 8. IV. Aria You murdered your father 9. Recitative When Billie Jo heard 10. V. Aria with chorus Goodbye 11. Recitative When Oedipus heard 12. VI. Chorus and Finale 13. Introduction br 14. Classical Rap , S. 1 2 3 P.D.Q. Bach br 15. Introduction br Knock, Knock , choral cantata, S. 4 1 P.D.Q. Bach 16. I. Recitative and chorus Knock, knock 17. II. Recitative and chorus How many psychiatrists 18. III. Recitative and chorale What is the question? 19. IV. Recitative and chorus So this guy 20. Introduction br 21. Birthday Ode to Big Daddy Bach , for soloists, chorus and orchestra, S. 100 P.D.Q. Bach Sources http www.schickele.com shoppe pdqrec tex.htm P.D.Q. Bach Oedipus Tex and Other Choral Calamitie ... more details
Multiple issues orphan January 2011 unreferenced January 2011 Proportionalism , also known as mensuralism , is a Hermeneutics hermeneutical approach to the performance of the earliest transcriptions of Gregorian chant prior to the adoption of mensural notation . The approach can be contrasted with Accentual verse accentualism , or oratorical chant, an interpretation which applies a style of recitative singing. Christian music stub Category Chants ... more details
? 1 1 Chorus Israelites Tyrants Tyrants Ye in vain conspire Wake the lute and strike the lyre 1 1 Recitative ... law, pronounc d with such tremendous awe ... 1 2 Recitative Joad Your sacred songs awhile forbear ... from woe, to Majesty alone a foe? 1 3 Recitative Athalia O Mathan, aid me to control the wild confusion of my soul 1 3 Recitative Mathan Why shrinks that mighty soul with fear? What cares, what danger can be near? 1 3 Recitative Athalia Ev n now, as I was sunk in deep repose, my mother s awful ... on majesty s anointed head, ... 1 3 Recitative Athalia Her form at this began to fade, and seem d ... serene, and in thy votary protect the queen 1 3 Recitative Athalia Amidst these horrors, that my soul dismay d, a youth I saw in shining robes array d, ... 1 3 Recitative Mathan Great queen, be calm ... my hopes destroy. ... 1 3 Recitative Mathan Swift to the temple let us fly, to know what mansion hides this youthful foe. 1 3 Recitative Abner I ll haste the pontiff to prepare for this black storm of wild ... 4 Recitative Joad My Josabeth The grateful time appears to bid dejected Judah end her fears. 1 4 Recitative .... 1 4 Recitative Abner Priest of the living God With anxious heart proud Athalia s purpose I impart ... 1 4 Recitative Josabeth Oh killing shock of unexpected pain Oh innocence, my tender care in vain ... farewell ... 1 4 Recitative Abner O cease, fair princess, to indulge your woe no mortal to your son can prove a foe. 1 4 Recitative Joad This grief, oh Josabeth, degrades your soul can God no longer ... all her charms assuming, wakes the soul to cheerful praise. ... 2 1 Recitative Abner Ah Were this land from proud oppression freed, Judea would be bless d indeed 2 1 Recitative Joad Oh Abner, wer ... thou but prove me To vengeance I spring. ... 2 1 Recitative Joad Thou dost the ardour that I wish display revisit me before the close of day. ... 2 2 Recitative Athalia Confusion to my thoughts My ... he is not indebted for his birth to me. 2 2 Recitative Athalia Who is thy father? Let his name be known ... more details
Oedipus Tex is a Satire satirical Western genre Western themed oratorio by P. D. Q. Bach that follows the adventures of Oedipus Tex you may have heard of my brother Oedipus Rex in Thebes, Greece Thebes Gulch. It was released on the album, Oedipus Tex and Other Choral Calamities in 1990. Structure Oedipus Tex is a dramatic oratorio for soloists, chorus and orchestra with the following scenes. I. Prologue Tragedy Recitative Well II. Aria with Choir chorus Howdy there Recitative And it wasn t long III. Duet with chorus My heart Recitative But IV. Aria You murdered your father Recitative When Billie Jo heard V. Aria with chorus Goodbye Recitative When Oedipus heard VI. Chorus and Finale Performers Professor Peter Schickele , Conducting conductor , Bass voice type bass The Greater Hoople, North Dakota Hoople Area Off Season Orchestra Philharmonic , Newton Wayland, conductor The Gunfight at the O.K. Corral Okay Chorale Grandmaster Flab and the Hoople Funkharmonic http www.pinnaclearts.com artist.php?id 310 Pamela South , soprano Billie Jo Casta Dana Krueger, mezzo soprano Madame Peep Frank Kelley tenor Frank Kelley , tenor Brice Andrus, Horn instrument horn References http www.schickele.com shoppe pdqrec tex.htm The Peter Schickele P.D.Q. Bach Webpage http www.amazon.com Oedipus Tex Other Choral Calamities dp B000003CWP Oedipus Tex at Amazon.com P.D.Q. Bach classical composition stub DEFAULTSORT Oedipustex Category P. D. Q. Bach Category Oratorios Category Satirical works Category Musical parodies ... more details
4. Recitative, Nitocris and Daniel The fate of Babylon, I fear, is nigh. br 5. Air, Daniel Lament not thus .... Recitative, Gobrias and Cyrus Well may they laugh, from meagre famine safe br 8. Accompagnato, Gobrias ... tears br 11. Recitative, Cyrus Be comforted safe though the tyrant seem br 12. Accompagnato, Cyrus Methought, as on the bank of deep Euphrates br 13. Recitative, Cyrus and Gobrias Now tell me, Gobrias, does not this Euphrates br 14. Air, Gobrias Behold the monstrous human beast br 15. Recitative ... known br 17. Recitative, Cyrus My friends, be confident, and boldly enter br 18. Chorus of Persians ... I, Scene 4 23. Air, Belshazzar Let festal joy triumphant reign br 24. Recitative, Belshazzar and Nitocris ... br 26. Recitative, Belshazzar and Nitocris It is the custom, I may say, the law br 27. Chorus of Jews Recall, O king, thy rash command br 28. Recitative, Nitocris and Belshazzar They tell you true nor .... Chorus of Persians See, from his post Euphrates flies br 32. Recitative, Cyrus Ye see, my friends ... and Babylonians Where is the God of Judah s boasted pow r? br 38. Recitative, Belshazzar Call all my Wise Men, Sorcerers, Chaldeans br 39. Symphony Enter Wise Men of Babylon br 40. Recitative, Belshazzar ... Oh terror, hopeless grief br 42. Recitative, Nitocris and Belshazzar O king, live for ever br 43. Air ... 45. Recitative, Nitocris Oh, sentence too severe, and yet too sure br 46. Air, Nitocris Regard, O son, my flowing tears Act II, Scene 3 47. Air, Cyrus O God of truth, O faithful guide br 48. Recitative ... br 51. Recitative, Nitocris and Daniel Fain would I hope. It cannot surely be. br 52. Air, Daniel Can the black AEthiop change his skin br 53. Recitative, Nitocris, Arioch, and Messenger My hopes revive ... To pow r immortal my first thanks are due br 58. Recitative, Cyrus Be it thy care, good Gobrias ... victor, at your feet I bow br 61. Recitative, Cyrus and Daniel Say, venerable prophet, is there aught ... more details
Found a peanut 5. Recitative Ah, dear husband Aria Stay with me 6. Recitative Suzanna 7. Recitative Dog Aria Perfidy, thy name is Donald 8. Recitative I am distraught 9. Quartet Love is gone Scene Two A courtyard of the palace 10. Recitative Well, here we are 11. Aria Behold, fair maiden 12. Recitative Just a moment Duet Thy lofty tree Scene Three Figaro s bedroom 13. Recitative And here is my husband 14. Recitative Hold it Aria My name is Captain Kadd 15. Recitative Now that you ve heard 16. Sextet What a downer Scene Four The courtyard 17. Recitative Schlepporello Aria No man Scene Five At the dock 18. Recitative What a strange turn of events 19. Quintet ... s palace 23. Aria Fish gotta swim 24. Chorus Hey, make way 25. Dance of the Seven Pails 26. Recitative ... Scene Three A courtyard of the palace 29. Dialogue and recitative Why? ... more details
In European classical music classical music , arioso is a style of Solo music solo opera singing between recitative and aria . Literally, arioso means airy . The term arose in the 16th century along with the aforementioned styles and monody . It is commonly confused with Recitative recitativo accompagnato . Arioso is similar to recitative due to its unrestrained structure and inflexions, close to those of speech. It differs however in its rhythm . Arioso is similar to aria in its melodic form, both being closer to singing than recitative however they differ in Musical form form , arioso generally not resorting to the process of repetition. At the start of the finale in the first act of Mozart s The Magic Flute , the andante of the priest Sprecher Sobald dich f hrt der Freundschaft Hand ins Heiligtum zum ew gen Band is an example of arioso. Amor ti vieta , sung by Loris at Umberto Giordano Giordano s Fedora opera Fedora could be a modern arioso example. One of the most famous ariosos was composed by Johann Sebastian Bach , and serves as the sinfonia of his cantata , Ich steh mit einem Fu im Grabe , BWV 156, as well as the middle movement of the Harpsichord concertos J.S. Bach Concerto V in F minor, BWV 1056 Harpsichord Concerto, BWV 1056 . References Translated from fr Arioso http fr.wikipedia.org w index.php?title Arioso&oldid 5612824 , accessed 22 April 2006 See also cantata oratorio External links http www.youtube.com watch?v M2Oe3nkQji8 Bach s Arioso played by cellist Julian Lloyd Webber Opera terms Category Opera terminology Category Singing Category Italian loanwords bg da Arioso de Arioso eo Ariozo fr Arioso it Arioso ka nl Arioso pl Arioso pt Arioso ru uk ... more details
Ospedale della Piet . It consists of two arias surrounding a central recitative. The text ... arias surrounding a central recitative, and has a similar text to an earlier motet, Canta in Prato ... recitative. The first aria speaks of mythical creatures in conflict with a man of faith. The second ... introduzione to come before Gloria Vivaldi Gloria RV 588 , in the form of Aria Recitative Aria ... is Aria Recitative. The motet speaks of the terrors of the world and asks for the Lord to appear ... before the lost Miserere. It consists of two recitatives, an aria, and a final recitative. The text ... to precede the Gloria Vivaldi Gloria RV 589 . It has the form aria recitative aria. The text ... more details
and Chorus Pleasure While for thy arms that beauty glows 6 Recitative Virtue Away, mistaken wretch, away 7 Air Virtue This manly youth s exalted mind 8 Recitative Virtue Rise, youth exalt thyself and me 9 Air Virtue Go, assert thy heav nly race 10 Recitative Virtue In peace, in war 11 Solo and Chorus Virtue So shalt thou gain immortal praise 12 Recitative Pleasure Hearst thou, what dangers then thou must engage? 13 Solo and Chorus Pleasure Turn thee, youth, to joy and love 14 Recitative Pleasure ... lay 16 Air Attendant on Pleasure Enjoy the sweet Elysian grove 17 Recitative Hercules Oh whither, reason, dost thou fly? 18 Trio Hercules, Pleasure and Virtue Where shall I go? 19 Recitative Virtue ... ascent 22 Recitative Hercules The sounds breathe fire 23 Air Hercules Lead, goddess, lead the way ... more details
, S. 53,162 I. Trumpet Involuntary II. Aria When Hyperion III. Recitative And Lo IV. Ground Dying V. Recitative And in a vision VI. Aria Running 4. Unbegun Symphony Prof. Schickele III. Minuet IV. Andante ... Tarragon of virtue is full Recitative And there were in the same country Duet Bide thy thyme Fugue Recitative Then asked he Chorale By the leeks of Babylon Recitative Then she gave in Aria Open sesame seeds Recitative So saying Duet Summer is a cumin seed Soloists and chorus To curry favor, favor ... more details
tenor recitative The Agony tenor and bass solo and chorus Processional to Calvary organ solo and Fling Wide the Gates chorus and tenor solo And When They Were Come bass recitative The Mystery of the Divine Humiliation hymn He Made Himself of No Reputation bass recitative The Majesty of the Divine Humiliation tenor solo And As Moses Lifted Up the Serpent bass recitative God So Loved the World chorus ... chorus recitative So Thou Liftest Thy Divine Petition tenor and bass solo duet The Mystery of the Intercession ... tenor and male chorus recitative For the Love of Jesus hymn Stainer s work has in recent times been ... more details
. recitative Die Menge der Gl ubigen war ein Herz Wir haben ihn geh rt And the many that Believed ... us Acts VI v.11 V v 28 VI v.14 recitative & chorus Und sie sahen auf ihn alle And all that sat ... recitative & chorus Sie aber st rmten auf ihn ein Steiniget ihn Er l stert Gott Then they ran upon him Stone him to death He blasphemes God recitative & choral Und sie steinigten ihn Dir, Herr, dir will ich mich ergeben And they Stoned him To thee, O Lord. I yield my spirit recitative Und die Zeugen ... are they recitative T & aria B Saulus aber zerst rte die Gemeinde Vertilge sie, Herr Zebaoth And Saul made havock of the Church Consume them all recitative & arioso Sii Und zog mit einer Schar Doch der Herr vergisst der Seinen nicht But the Lord is mindful of his own recitative & chorus Und als ... Up Arise. choral Wachet auf ruft uns die Stimme Sleepers, wake, a voice is calling recitative Die ... O God, have Mercy recitative Es war aber ein J nger zu Damaskus And there was a Disciple aria B & chorus Ich danke dir, Herr, mein Gott ... Der Herr wird die Tr nen I praise thee, O Lord recitative ... nun des Herrn The Nations are now the Lord s 24. recitative Und Paulus kam zu der Gemeinde And Paul ... 26. chorus Wie lieblich sind die Boten How lovely are the Messengers 27. recitative & Arioso ... of thy great mercies 28. recitative & chorus Da aber die Juden das Volk sahen So spricht der Herr ... Light 30. recitative Paulus aber und Barnabas sprachen But Paul and Barnabas spake freely 31. duet TB Denn also hat uns der Herr geboten For so hath the Lord 32. recitative Und es war ein Mann zu Lystra ... themselves 34. recitative Und nannten Barnabas Jupiter And they call Barnabas, Jupiter 35. chorus Seid uns gn dig, hohe G tter O be gracious, Ye Immortals. 36. recitative & chorus Da das die Apostel ... 37. recitative Da ward das Volk erreget wider sie Then the Multitude 38. chorus Hier ist des Herren Tempel This is Jehovah s Temple 39. recitative Und sie alle verfolgten Paulus And they all persecuted ... more details
Recitative tenor Twas at the royal feast Aria and chorus Happy, happy pair Recitative Timotheus plac d on high Harp Concerto, Opus 4, Number 6 in B Flat Recitative The song began from Jove Chorus The list ning crowd Aria soprano With ravish d ears Recitative The praise of Bacchus Aria and chorus Bacchus ever fair and young Recitative Sooth d with the sound Recitative He chose a mournful muse Aria soprano He sung Darius, great and good Recitative With downcast looks Chorus Behold Darius great and good Recitative The mighty master smil d Arioso Softly sweet in Lydian measures Aria War, he sung ... his pain Chorus The many rend the skies with loud applause Part two Recitative and chorus Now strike the golden lyre again Aria bass Revenge, Timotheus cries Recitative Give vengeance the due Aria The princes applaud with a furious joy Aria and chorus Thais led the way Recitative Thus long ago Chorus At last divine Cecilia came Recitative Let old Timotheus yield the prize Chorus Let old Timotheus ... more details
appar Daniel and Chorus Recitative & Arietta E fia ver & Non puo il cor Daniel Recitative Amico miei Daniel Cavatina In questo semplice Betly Recitative and Duet Ho mangiato e bene Betly and Daniel Recitative ... Max Recitative Oh giovinoto Daniel and Max Scena, Coro and Finale Primo Per questa via remota Betly, Max, Chorus Scene 3 Recitative and Duet In cortesia Betly and Daniel Recitative Che l ha fatto restar Betly, Daniel and Max Recitative and Duet Bassa la voce Daniel and Max Recitative, Aria and FInale ... more details
. Q. Bach Aria Recitative Ostinato Ground bass Ground Recitative Aria 3. wikt schlepp Schl Septet eptet ... Introduction Overture Recitative and aria Now is the season Recitative and Ternary form trio I m ... , S. 1 tsp. P. D. Q. Bach Chorus Tarragon of virtue is full Recitative And there were in the same country Duet Bide thy thyme Fugue Recitative Then asked he Chorale By the leek s of Psalm 137 Babylon , There we sat down, yea, we wept Aria Open sesame seeds Recitative So saying Duet Summer ... e Zucchero 2. Cantata Iphigenia in Brooklyn , S. 53162 P. D. Q. Bach Aria Recitative Ground Recitative ... more details
File Young Bach2.jpg thumb right 180px Young Johann Sebastian Bach , by Johann Ernst Rentzsch the elder , 1715 Mein Herze schwimmt im Blut My heart swims in blood is a Bach cantata cantata by Johann Sebastian Bach . In Wolfgang Schmieder s catalogue of Bach s works, it is BWV 199. The bulk of the text, which concerns a sinner finding redemption through God, is taken from Georg Christian Lehms Gottgef lliges Kirchen Opffer a little earlier, he had drawn on the same source for Widerstehe doch der S nde, BWV 54 . The piece was composed in Weimar in 1714 for performance on the eleventh Sunday after Trinity Sunday Trinity . It is written for solo soprano accompanied by oboe , two violin s, viola , and basso continuo . Bach made major and minor revisions to the cantata for later performances, and the Neue Bach Ausgabe recognizes two distinct versions one the first Weimar version beginning in C minor with a viola obbligata in the sixth movement and a second the Leipzig version a tone higher, with the obbligata viola part given to a violoncello piccolo . The cantata is in eight parts Mein Herze schwimmt im Blut a recitative for soprano accompanied by the strings. Stumme Seufzer, stille Klagen a slow da capo aria for the soprano, oboe and continuo. There is a brief secco recitative before the da capo. Doch Gott muss mir gen dig sein a recitative with strings accompaniment. Tief geb ckt und voller Reue a da capo aria marked Andante at a walking pace , in 3 4 time signature time and accompanied by the strings. There is an adagio slow passage just before the da capo. Auf diese Schmerzensreu a short recitative accompanied by the continuo. Ich, dein betr btes Kind Verse three of the chorale Wo soll ich fliehen hin with an obbligato viola or cello part depending on the version . Ich lege mich in diese Wunden a recitative accompanied by the strings. Wie freudig ist mein Herz a cheerful gigue like da capo aria accompanied by all the instruments in 12 8 time. Recordings J.S. Bach Com ... more details
Infobox Album See Wikipedia WikiProject Albums Name The Stoned Guest Type studio Artist P. D. Q. Bach Cover PDQ Bach The Stoned Guest.jpg Released 1970 Recorded Genre Length Label Vanguard Producer Reviews Last album Report from Hoople P. D. Q. Bach on the Air br 1967 This album The Stoned Guest br 1970 Next album The Intimate P. D. Q. Bach br 1974 The Stoned Guest is the premiere recording of the The Stoned Guest Half Act Opera by P. D. Q. Bach , the pseudonym used by Peter Schickele for parodic works. It was released on Vanguard Records in 1970. Performers Entire fiasco under the supervision of Professor Peter Schickele The Orchestra of the University of Southern North Dakota at Hoople Heavy Opera Company under the direction of John Nelson Marlene Kleinman , mezzanine soprano Donna Ribalda, a high born lady of the lowlands Lorna Haywood , off coloratura Karmann Ghia Carmen Ghia , a woman of ailing repute John Ferrante , bargain counter tenor Don Octave, an itinerant nobleman Bernice , houndentenor Dog Will Jordan as Milton Host Bill Macy as Paul Henry Lung Amateur Musica Antiqua of Hoople Track listing 1. Introduction br 2. Half Act Opera The Stoned Guest , Part One P.D.Q. Bach Overture Aria Let s face it I m lost Recitative Boy Aria Now is the season Recitative Gesundheit Duet Woe Recitative Hark Aria Look at me Recitative That s the end Trio I m sure I d be 3. Intermission Feature Opera Quiz br 4. Plot Synopsis br 5. Half Act Opera The Stoned Guest , Completion P.D.Q. Bach Recitative I hate to interrupt Quartet Don Octave Finale O saviour Announcement 6. Two Madrigals from The Triumphs of Thusnelda P.D.Q. Bach The Queen to me a royal pain doth give My bonnie lass she smelleth Source http www.schickele.com shoppe pdqrec stoned.htm P.D.Q. Bach The Stoned Guest P.D.Q. Bach DEFAULTSORT Stoned Guest, The Category P. D. Q. Bach albums Category 1970 albums Category Works based on the Don Juan legend Category Vanguard Records albums 1970s album stub ... more details
Infobox Album See Wikipedia WikiProject Albums Name Black Forest Bluegrass Type studio Artist P. D. Q. Bach Cover PDQ Bach Black Forest Bluegrass.jpg Released 1979 Recorded Genre Length Label Vanguard Producer Reviews Last album The Wurst of P.D.Q. Bach br 1978 This album Black Forest Bluegrass br 1979 Next album Liebeslieder Polkas br 1980 Black Forest Bluegrass is a recording of the music of Peter Schickele under his comic pseudonym of P. D. Q. Bach , featuring the composer and a Bluegrass music bluegrass band with a Baroque music Baroque orchestra, a wind octet with toys, a commercial with a snake this album has it all The album was released on Vanguard Records in 1979. Performers Professor Peter Schickele , bass, conductor, snake that s an instrument The New York Pick Up Ensemble, Robert Bernhardt , conductor John Ferrante , tenor Eric Weisberg , mandolin and harmonica Bill Keith , banjo and harmonica Happy Traum , guitar and harmonica Donald Don Palma , bass and harmonica According to the liner notes on the album, the performers pictured on the cover are Tommy Mann and his Magic Mountain Boys. Track listing Cantata Blaues Gras Bluegrass Cantata , S. 6 string P.D.Q. Bach 1. Recitative and Aria Blaues Gras 2. Recitative O Aria Du Bist Im Land 3. Recitative O Duet Ich Sehe 4. Chorale Ich Gehe Duet Sag Mir No no Nonette for assorted winds and toys, S. 86 P.D.Q. Bach 5. First Movement 6. Second Movement 7. Third Movement 8. Fourth Movement 9. Last Movement 10. Hear Me Through from Diverse Ayres on Sundrie Notions , S. 99 44 100 P.D.Q. Bach Source http www.schickele.com shoppe pdqrec bluegrass.htm P.D.Q. Bach Black Forest Bluegrass P.D.Q. Bach Category P. D. Q. Bach albums Category Musical parodies Category 1979 albums 1970s album stub ... more details
Use dmy dates date April 2012 Sacchini operas Calliroe is an opera by Antonio Sacchini , set to a libretto by Mattia Verazi . It was first performed in Ludwigsburg on 11 February 1770. The opera follows the usual pattern of opera seria of the time secco recitative interlaced with da capo aria s. Within this format Sacchini introduced strong dramatic music to suit the libretto stromentato recitative is also used for extra dramatic effect, and the arias are sometimes interrupted by bursts of recitative. Stylistically, the work is thought to anticipate Italian opera of the following decade, and in particular Mozart s Il re pastore . Roles class wikitable Role Voice type Premiere Cast, 11 February 1770 br Conductor Bicestre soprano Anna Cesari Seeman Tarsile soprano castrato Andrea Grassi Sidonio soprano castrato Francesco Guerrieri Calliroe mezzo soprano Caterina Bonafini Dorisia mezzo soprano Monaca or Monica Bonanni Agricane alto castrato Giovanni Maria Rubinelli Arsace tenor Gaetano Petti References http www.italianopera.org compositori S c220411.htm Italianopera, 12 February 2011 http www.amadeusonline.net almanacco.php?Start 0&Giorno &Mese &Anno 1770&Giornata &Testo Calliroe&Parola Stringa Amadeus Almanac, 8 February 2011 Marita P. McClymonds Calliroe , Grove Music Online ed L. Macy Accessed 3 June 2007 , http www.grovemusic.com grovemusic.com , subscription access. Category Operas by Antonio Sacchini Category Opera seria Category Operas Category Operas based on Greco Roman mythology Category 1770 operas ... more details
, ye afflicted children Soprano, Alto, Tenor, Bass Largo 4 4 C minor 1 3 Recitative Well may your sorrows ..., Bass Larghetto e un poco piano, Adagio 12 8, 4 4 F minor 1 6 Recitative Not vain is all this storm ... 1 9 Recitative br accompanied I feel the Deity within Simon 4 4 1 10 Air Arm, arm, ye brave Simon Allegro ... 1 12 Recitative Tis well, my friends Judas Maccabaeus 4 4 1 13 Air Call forth thy powers Judas Maccabaeus Allegro 4 4 D major 1 14 Recitative To Heaven s Almighty King we kneel Israelitish woman 4 ... smiling Liberty Israelitish woman Andante 6 8 A major 1 17 Recitative O Judas, may these noble views ... 6 8 A major 1 20 Chorus Lead on, lead on Soprano, Alto, Tenor, Bass Allegro 4 4 D major 1 21 Recitative ... Alto, Tenor, Bass Allegro 3 8 G major 1 23 Recitative Ambition if e er honour was thine aim Judas Maccabaeus 4 4 1 24 Air No unhallow d desire Judas Maccabaeus Allegro 6 8 B flat major 1 25 Recitative ... 4 4 D minor 2 28 Recitative Victorious hero Israelitish man 4 4 2 29 Air So rapid thy course is Israelitish man Allegro, Adagio last five bars 3 8 G major 2 30 Recitative Well may hope our freedom ..., Tenor, Bass Andante 3 4 G major 2 33 Recitative O let eternal honours crown his name Israelitish ... 2 37 Recitative Thanks to my brethren Judas Maccabaeus 4 4 2 38 Air How vain is man who boasts in fight Judas Maccabaeus Andante 4 4 F major 2 39 Recitative O Judas O my brethren Israelitish messenger ... Israel Soprano, Alto, Tenor, Bass Largo, Adagio ending 3 4 C minor 2 42 Recitative Be comforted Simon 4 4 2 43 Air The Lord worketh wonders Simon Allegro 4 4 A minor 2 44 Recitative My arms against ... 2 46 Chorus We hear Soprano, Alto, Tenor, Bass Allegro 6 8 D major 2 47 Recitative Enough to Heaven we leave Simon 4 4 2 48 Air With pious hearts Simon Larghetto 3 4 G minor 2 49 Recitative Ye worshippers ... 3 4 C minor, C major 3 53 Air Father of Heaven Priest Andante larghetto 4 4 F major 3 54 Recitative See, see yon flames Israelitish man Contralto 4 4 3 55 Recitative O grant it, Heaven Israelitish woman ... more details
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