underscored by a full four part bass accompaniment. Recitative, as a modern da capo aria , in which ... nature of Christ s birth Recitative, with surprising sweep through a harmony unique in Bach ... of Mary Recitative Chorale, with the finally doxology in a four part setting, illuminating ... more details
. For the oratorio he used the vocal means of contemporary opera, recitative , aria , ensemble .... Haydn set most of the narration from the Book of Genesis Genesis in Recitative Secco secco recitative ... recitatives opening Part I and II, which are accompanied by the orchestra. For each day, the recitative is followed by a contemplation of it, typically in accompanied recitative and aria, and affirmed ... Haydn 2 Im Anfange schuf Gott Himmel und Erde Recitative Bass C minor music common time wikisource ... sah das Licht Recitative Tenor colspan 3 wikisource Bible King James Genesis 1 4 Gen 1 4 And God ... Recitative secco Bass music common time wikisource Bible King James Genesis 1 6 Gen 1 6 ... Haydn 6 Und Gott sprach Es sammle sich das Wasser Recitative secco Bass music common time ... billows The Creation Haydn 8 Und Gott sprach Es bringe die Erde Gras hervor Recitative secco ... Heerscharen verk ndigten den dritten Tag Recitative secco Tenor music common time And the Heavenly ... n Lichter an der Feste des Himmels Recitative secco Tenor music common time wikisource Bible King ... Haydn 13 In vollem Glanze steiget jetzt die Sonne strahlend auf Recitative Tenor D major ... sprach Es bringe das Wasser in der F lle hervor Recitative Soprano Allegro music common time wikisource ... schuf gro e Walfische Recitative secco Bass music common time wikisource Bible King James Genesis 1 21 Gen 1 21 22 And God created great whales Seid fruchtbar alle Recitative colspan 2 Poco Adagio Be fruitful all The Creation Haydn 3 Und die Engel r hrten ihr unsterblichen Harfen Recitative ... Haydn 3 Es bringe die Erde hervor lebende Gesch pfe Recitative secco Bass music common time wikisource ... The Creation Haydn 3 Gleich ffnet sich der Erde Scho Recitative Bass Presto music common time ... in the brightest glory The Creation Haydn 3 Und Gott schuf den Menschen Recitative secco Tenor music ... Gott sah jedes Ding Recitative secco Bass music common time wikisource Bible King James Genesis 1 31 ... more details
Unreferenced auto yes date December 2009 Dmitri Shostakovich Dmitri Shostakovich s String Quartet No. 2 in A major , Op. 68, was composed in 1944. It was premiered by the Beethoven Quartet and is dedicated to the composer Vissarion Shebalin . Playing time is approximately 35 minutes, one minute shorter than his longest, the String Quartet No. 15 Shostakovich Fifteenth Quartet . The work has four Movement music movements Overture Allegro music Moderato con moto Recitative and Romance music Romance Adagio music Adagio Waltz Allegro music Allegro Variation music Theme with Variations Tempo Italian tempo markings Adagio The overture that the work begins with is in sonata form , traditional for the first movement of such a work. The music is strong, forceful, and animated. This strong tone is subdued by the lyrical, wandering mood of the recitative. The first violin leads a slow, distressed line of music over soft seventh chords, and eventually finds calm in the romance. External links http www.quartets.de compositions ssq02.html Shostakovich the string quartets Shostakovich String Quartets Category String quartets by Dmitri Shostakovich 02 Category 1944 compositions Chamber composition stub fr Quatuor cordes n 2 de Chostakovitch nl Strijkkwartet nr. 2 Sjostakovitsj ja 2 ru 2 ... more details
Casanova s Homecoming is an opera in three acts by Dominick Argento to an English libretto by the composer, based in part on Giacomo Casanova s memoirs . It was first performed by the Minnesota Opera in Saint Paul, Minnesota Saint Paul , Minnesota in 1985. The opera has set numbers with recitative and spoken dialog. It is set in Venice in 1774. Discography D.Brown Jacoby, 2001 live Newport Classic External links http www.boosey.com pages opera moredetails.asp?musicid 4862 Boosey & Hawks page Category English language operas Category Operas by Dominick Argento Category Operas Category 1985 operas Category Works about Giacomo Casanova Category Operas set in Italy English opera stub es Casanova s Homecoming ... more details
Sands of Time is an opera created by Welsh composer Peter Reynolds composer Peter Reynolds and librettist Simon Rees. It is credited by Guinness World Records as the shortest opera on Earth at 3 minutes and 34 seconds. Reynolds said the piece was intended to match the boiling of an egg and to create a piece which bore the same relationship to opera as a miniature does to a full length portrait...It included all the component parts of an opera overture, introductory chorus, arias and recitative though in highly condensed form . ref Alfred Hickling, http arts.guardian.co.uk features story 0,11710,1187400,00.html Is that it? , The Guardian , April 7, 2004 ref The opera debuted on March 27, 1993 in Cardiff city centre . References Reflist Category English language operas Category Operas Category 1993 operas English opera stub ... more details
File BWV 244 Nr. 71.jpg thumb Beginning of a recitative St Matthew Passion , No. 61 , the Bible words written in red The Evangelist in the music of Johann Sebastian Bach is the tenor part in his oratorio s and Passions Bach Passions who narrates the exact words of the Bible , translated by Martin Luther , in recitative , namely in the works St John Passion , St Matthew Passion , and the Christmas Oratorio , also in the St Mark Passion and the Ascension Oratorio Lobet Gott in seinen Reichen, BWV 11 . Some Bach cantata cantata s also contain recitatives of Bible quotations, assigned to the tenor voice. In contrast, the Vox Christi , Voice of Christ, is always the Bass voice type bass in Bach s works, including several Bach cantata cantata s. Music and sources The Evangelist reports in Recitative Secco secco recitative s accompanied by Figured bass Basso continuo basso continuo only. In the St John Passion the story consists of chapters 18 and 19 of John the Evangelist , the St Matthew Passion tells the complete chapters 26 and 27 of Saint Matthew Matthew the Evangelist . The first versions of the St. John Passion contained two additional lines from Matthew mentioning the weeping of the disciple Saint Peter Peter and the tearing of the temple curtain, dramatic situations that Bach cared about. He composed the weeping in an expressive melisma and the tearing in a forceful downward run followed by tremolo , but removed the parts in later versions. The Christmas Oratorio follows Luke the Evangelist for parts 1 to 4, and St. Matthew for Parts 5 and 6. A St Mark Passion Bach St Mark Passion after Mark the Evangelist is lost, but has been reconstructed by several scholars. In the Lobet ... sings the opening recitative, Er rufet seinen Schafen mit Namen und f hret sie hinaus , Sourcetext ... aussenden, BWV 88 21 July 1726, 5th Sunday after Trinity , the tenor begins part 2 with a recitative ... Trinity Sunday Trinity , the tenor begins part 2 with a recitative on Sourcetext source Bible version ... more details
borrowings from opera arias. Grauner s recitative settings are highly expressive, culminating in the moving simplicity of the bass s recitative no. 23 on the Crucifixion of Jesus death ... Part 1 Chorale Du, dessen Augen flossen Chorus Sein Odem ist schwach Accompanied recitative soprano ... Dich allein Recitative soprano Ach mein Immanuel Aria soprano Ein Gebet um neue St rke Recitative tenor ... Ich will von meiner Missetat Recitative Bass voice type bass Jerusalem, voll Mordlust Aria bass So ... Part 2 li value 15 Chorale Ich werde Dir zu Ehren alles wagen li Recitative soprano Da stehet der traurige, verh ngnisvolle Pfahl Duet sopranos Feinde, die ihr mich betr bt Recitative soprano Wer ist ... alle ihr Frommen Chorale Wie herrlich ist die neue Welt Recitative bass Auf einmal f llt der aufgehaltne Schmerz Accompanied recitative bass Es steigen Seraphim Chorale with bass solo Ihr Augen, weint ... more details
Movement Type Voice Text complete translated from the original Italian 1 Overture 2 Recitative Apollo ... arm. 4 Recitative Apollo Let Cupid in his pretty pride give way to the force of my arrows br let .... 7 Recitative Apollo What a voice What a beauty br This sound, this sight pierces my heart ... to Cynthia am I faithful. br To her brother s flames of love Cynthia would have me cruel. 9 Recitative ... I can never have peace. 11 Recitative Apollo Be calm now, my dear one. br The beauty that inflames ... the flower of beauty. 13 Recitative Daphne Ah A God should follow after no other love than for objects ..., br so in an honest and fair soul, reason holds love in check. 15 Recitative Apollo Hear my reason ... Daphne To die is better than to lose my honour. 17 Recitative Apollo Always will I adore you continued ... did I see? What behold? br Heavens Fate Whatever is it 19 Recitative Apollo Daphne, where are you ... more details
Was mir behagt, ist nur die muntre Jagd The lively hunt is all my heart s desire , BWV 208, also known as the Hunting Cantata , is a secular Bach cantata cantata composed in 1713 by Johann Sebastian Bach for the 31st birthday of Duke Christian, Duke of Saxe Weissenfels Christian of Saxe Weissenfels . Aria 4, Schafe k nnen sicher weiden or Sheep may safely graze , is the most familiar part of this cantata. A normal performance lasts for about forty minutes. Listen filename Sheep May Safely Graze BWV 208.ogg title Schafe k nnen sicher weiden description Sheep may safely graze aria in B flat major, for soprano II with 2 recorders and continuo format Ogg Personnel and instruments Diana, soprano I Pales, soprano II Endymion, tenor Pan, Bass vocal range bass SATB Chorus 2 horns, 2 recorders, 2 oboes, oboe da caccia, bassoon, 2 violins, viola, cello, violone, and continuo. Movements Recitative Was mir behagt, ist nur die muntre Jagd in F major B flat major, for soprano I with continuo Aria Jagen ist die Lust der G tter in F major, for soprano I with 2 horns and continuo Recitative Wie, sch nste G ttin? wie? in D minor, for tenor with continuo Aria Willst du dich nicht mehr ergetzen in D minor, for tenor with continuo Recitative Ich liebe dich zwar noch in B flat major C major, for soprano I and tenor with continuo Recitative Ich, der ich sonst ein Gott in A minor G major, for bass and continuo Aria Ein F rst ist seines Landes Pan in C major, for bass with 2 oboes, English horn and continuo ref Used in Aria 4 in Also hat Gott die Welt geliebt, BWV 68 ref Recitative Soll dann der Pales Opfer hier das letzte sein? in F major G minor, for soprano II with continuo Aria Schafe k nnen sicher weiden in B flat major, for soprano II with 2 recorders and continuo Recitative So stimmt mit ein und lasst des Tages Lust volkommen sein in F major, for soprano I with continuo Chorus Lebe, Sonne dieser Erden in F major, for sopranos I and II, tenor, bass with 2 horns, 2 oboes, English horn, ... more details
Unreferenced date December 2007 Psalm 42 op. 42 MWV A 15 Wie der Hirsch schreit As pants the Hart is a composition by Felix Mendelssohn composed in 1837 38 for soloists, mixed choir and orchestra . Mendelssohn set the music to Martin Luther s Luther Bible German translation of Psalm 42 from the Psalms Book of Psalms . Structure Chorus Wie der Hirsch schreit As the Hart Longs Aria soprano Meine Seele d rstet nach Gott For my soul thirsteth for God Recitative and aria soprano Meine Tr nen sind meine Speise My tears have been my meat Denn ich wollte gern hingehen For I had gone forth most gladly Chorus Was betr bst du dich, meine Seele Why, my soul, art thou so vexed? Recitative soprano Mein Gott, betr bt ist meine Seele My God, within me is my soul cast down Quintet soprano with Tenor TT Bass voice type BB Der Herr hat des Tages verhei en The Lord hath commanded Final chorus Was betr bst du dich, meine Seele Why, my soul, art thou so vexed? External links IMSLP2 id Psalm 42 As the Hart Pants , Op.42 Mendelssohn, Felix cname Psalm 42 As the Hart Pants , Op. 42 classical composition stub Category Compositions by Felix Mendelssohn Category Choral compositions Category Psalm settings Category 1838 compositions de Der 42. Psalm Mendelssohn fr Psaume 42 Mendelssohn ... more details
Louis Lully Paris, 4 August 1664 1 April 1734 was a French musician and the eldest son of Jean Baptiste Lully . Nearly disinherited by his father following dissolute behaviour and imprisonment, Louis did not have the brilliant career anticipated for him, not only because of his behaviour but also for lack of talent. What success he had as an opera composer was mostly down to works written in collaboration with others. For example, he collaborated with his brother Jean Louis Lully Jean Louis and Pierre Vignon on Z phire et Flore ballet, 1688 , and with Marin Marais on Alcide trag die lyrique, 1693 . The one work he composed on his own, Orph e trag die lyrique, 1690 , was badly received when it was performed, though historians find it important for the prominence given in it to Recitative Accompagnato accompanied recitative La Gorce 2001 . References La Gorce, J r me de. 2001. Lully 2 Louis Lully . The New Grove Dictionary of Music and Musicians , second edition, edited by Stanley Sadie and John Tyrrell professor of music John Tyrrell . London Macmillan Publishers. Persondata Metadata see Wikipedia Persondata . NAME Lully ALTERNATIVE NAMES SHORT DESCRIPTION DATE OF BIRTH 4 August 1664 PLACE OF BIRTH DATE OF DEATH 1 April 1734 PLACE OF DEATH DEFAULTSORT Lully Category French composers Category French musicians Category 1664 births Category 1734 deaths es Louis Lully fr Louis Lully it Louis Lully zh ... more details
one source date August 2011 ref improve date August 2011 Jean Baptiste Lully fils Paris, 6 August 1665 9 March 1743 was a French musician and the second son of the composer Jean Baptiste Lully . He was also known as Baptiste Lully , Lully fils , and Monsieur Baptiste . He was born and died in Paris . In 1678 at the age of 12, he was given a post by the king, Louis XIV , at the Abbey of Saint Hilaire . Six years later, he exchanged it for a post at Saint Georges sur Loire . In 1696 he became surintendant de la musique du roi Superintendent of the Music of the King , a position he shared with Michel Richard de Lalande until 1719. With his brother Louis Lully Louis he composed Orph e a lyric tragedy, 1690 that was badly received when it was performed, although historians of music today find it important for the prominence given in it to the Recitative Accompagnato accompanied recitative La Gorce 2001 . On his own, he also composed Le Triomphe des brunes a divertissement , 1695 . References La Gorce, J r me de. 2001. Lully 2 Louis Lully . The New Grove Dictionary of Music and Musicians , second edition, edited by Stanley Sadie and John Tyrrell professor of music John Tyrrell . London Macmillan Publishers. External links fr Jean Baptiste Lully fils Entry to Jean Baptiste Lully fils in the French Wikip dia Persondata Metadata see Wikipedia Persondata . NAME Lully ALTERNATIVE NAMES SHORT DESCRIPTION DATE OF BIRTH 6 August 1665 PLACE OF BIRTH DATE OF DEATH 9 March 1743 PLACE OF DEATH DEFAULTSORT Lully Category French composers Category Baroque composers Category French musicians Category French people of Italian descent Category 1665 births Category 1743 deaths ... more details
Selig sind die Toten English Blessed are the dead , is a line from the Bible frequently used in funeral music of German speaking composers. The text begins in Book of Revelation Revelation 14 13, in the Luther Bible Selig sind die Toten, die in dem Herrn sterben von nun an , in English begins Blessed are the dead, who die in the Lord, from henceforth . The most famous settings are by Johannes Brahms in the final movement of A German Requiem Brahms A German Requiem , and by Heinrich Sch tz in his collection Musikalische Exequien . It is a favourite of amateur choirs. Other settings include those by Johann Schein , Gottfried Scheidt , Karl Piutti , Carl Philipp Emanuel Bach , Georg Philipp Telemann and Felix Mendelssohn Bartholdy op. 115 n. 1 Johann Sebastian Bach used the words in a recitative of his Bach cantata cantata O Ewigkeit, du Donnerwort, BWV 60 . Category Choral compositions classical composition stub fr Selig sind die Toten ... more details
orphan date September 2010 Valeria lang ja is a 1965 chamber music composition by T ru Takemitsu , recomposed from an earlier work, Sonant . Overview Takemitsu wrote the original version of the piece for the sixth modern music festival in Tokyo, for an ensemble comprising violin , cello , guitar , 2 bandneon s, and two flute s. In 1969, he revised the work into its present form, retitling it Valeria, for a recording that was produced that year. The two bandneons were replaced by the Electronic organ electric organ , and the two flutes by the two piccolo s. The first performance of the new version was held in September, Hiroshi Wakasugi conducting. Instrumentation 2 Piccolo s, Violin , Cello , Guitar , and Electronic organ Electric organ . Form The piece is structured in four movements, and lasts approximately six minutes. The second and fourth movements are entitled Recitative I and II respectively. References http www.ex tempore.org valeria valeria.htm An analysis of Valeria Category Japanese music Category Compositions by T ru Takemitsu Category 1965 compositions ja ... more details
File Opera backdrop..gif thumb 300px right A view of Rhodes, designed by Inigo Jones pupil John Webb architect John Webb , to be painted on a backshutter for the first performance of Davenant s opera The Siege of Rhodes in recitative music in May 1656 , at Rutland House . The Siege of Rhodes is an opera written to a text by the impresario William Davenant . ref http www.hoasm.org VIIA Davenant.html Sir William Davenant 1606 1668 ref The score is by five composers, the vocal music by Henry Lawes , Matthew Locke composer Matthew Locke , and Captain Henry Cooke composer Henry Cooke , and instrumental music by Charles Coleman and George Hudson. ref Roger Parker, The Oxford Illustrated History of Opera , Oxford, Oxford University Press, 1994 pp. 39 40. ref It is considered to be the first English opera. Part 1 of The Siege of Rhodes was first performed in a small private theatre constructed at Davenant s home Rutland House in 1656. Special permission had to be obtained from the Puritan government of Oliver Cromwell as dramatic performances were outlawed and all public theatres closed. Davenant managed to obtain permission by calling the production recitative music , music being still permissible within the law. When it was published in 1656, it was under the equivocating title The siege of Rhodes made a representation by the art of prospective in scenes, and the story sung in recitative musick, at the back part of Rutland House in the upper end of Aldersgate Street, London . The 1659 reprinting gives the location at the Cockpit Theatre Cock pit in Drury Lane , a well known theatre frequented by Samuel Pepys after the Restoration 1660 . The Rutland House production also included England s first professional actress , Mrs. Coleman. ref http www.gutenberg.org dirs 4 1 2 4126 4126.txt Diary of Samuel Pepys Volume 09 January February March 1660 61 by Pepys Project Gutenberg ref Part 2 of The Siege of Rhodes followed in the 1657&ndash 59 era, and was first published in 1663. r ... more details
Infobox Album See Wikipedia WikiProject Albums Name An Hysteric Return P.D.Q. Bach at Carnegie Hall Type live Artist P. D. Q. Bach Cover AnHystericReturnPDQBach.jpg Released 1966 Recorded Genre Length Label Vanguard Records Producer Reviews Last album Peter Schickele Presents an Evening with P. D. Q. Bach 1807 1742? br 1965 This album An Hysteric Return P.D.Q. Bach at Carnegie Hall br 1966 Next album Report from Hoople P. D. Q. Bach on the Air br 1967 An Hysteric Return P.D.Q. Bach at Carnegie Hall is live recording of a P. D. Q. Bach concert in Carnegie Hall and was released on Vanguard Records in 1966. Performers Professor Peter Schickele, bicycle, windbreaker, tromboon The Royal P.D.Q. Bach Festival Orchestra, Jorge Mester, conductor Lorna Haywood, soprano Marlena Kleinman, alto John Ferrante, tenor William Woolf, Bass voice type bass Gunfight at the O.K. Corral The Okay Chorale , John Nelson, director Maurice Eisenstadt, bagpipes Robert Lewis, balloons Track listing 1. Oratorio The Seasonings , S. 1 tsp. P.D.Q. Bach Chorus Tarragon of virtue is full Recitative And there were in the same country Duet Bide thy thyme Fugue Recitative Then asked he Chorale By the leek s of Psalm 137 Babylon , There we sat down, yea, we wept Aria Open Sesame Uses in food and cuisines sesame seeds Recitative So saying Duet Summer is a cumin seed Chorus with soloists To curry favor, favor curry 2. Unfinished symphony Unbegun Symphony , Prof. Schickele III. Minuet IV. Tempo Italian tempo markings Andante Allegro 3. Pervertimento for Bagpipes, Bicycle and Balloons , S. 66 P.D.Q. Bach Allegro moult o Romanze II Adagio Sireno Minaret and Trio Romanze I Chi Largo Presto Changio Source http www.schickele.com shoppe pdqrec hysteric.htm An Hysteric Return P.D.Q. Bach at Carnegie Hall P.D.Q. Bach DEFAULTSORT Hysteric Return P.D.Q. Bach At Carnegie Hall Category P. D. Q. Bach live albums Category 1966 live albums Category Vanguard Records live albums 1960s album stub ... more details
All tracks composed and arranged by David Axelrod Overture Comfort Ye My People...Recitative And The Glory Of The Lord...Chorus Behold...Recitative Pastoral Symphony And The Angel Said unto Them...Recitative Glory To God...Chorus Hallelujah...Chorus Worthy Is The Lamb...Chorus References Reflist ... more details
and women The windlass ply, the cable haul No.2. Recitative, Song and Chorus Il Marinajo and Sailors Tis the mid watch of night No.3. Recitative La Sposina From Spring time on to Summer draws ... No.6. Recitative and Chorus Il Marinajo The Crescent o er the Cross is hoisted high No.7. Recitative ... prisoners at the oar With a will, oh brothers, with one will for all No.9. Recitative and Duet Il Marinajo ... more details
, unusually, Ero e Leandro ends with a recitative, instead of an aria. ref Dean, Winton 1997 , Humour ... 3. pp. 736 37. ref Music Qual ti reveggio, oh Dio Recitative Empio mare Aria Amor, che ascoso Recitative Se la morte non vorr Aria Questi dalla mia fronte Recitative Si muora Aria Ecco, gelide labbra Recitative ref http www.arkivmusic.com classical album.jsp?album id 92810 Arkivmusic track listing ... more details
. The recitative sets the scene of despair in a minor key and tells of the journey ahead. align center ... impatience in waiting is depicted with rhythmic repetition. align center 3 Recitative align center 4 ... express his despair and fear that he will not succeed. align center 5 Recitative align center ... more details
8 Accompanied recitative for Idraote, Qui si dimori br Act I, scene 9 Accompanied recitative for Rinaldo ..., Nel pi felice tempo br Act I, scene 11 Accompanied recitative for Armida, Qual turbame br Act ..., Ah, disponi di mia sorte br Act II, scene 5 Accompanied recitative for Armida, Vieni, odio implacabile ... serena i rai e con sola il tuo dolor br Act III, scene 4 Accompanied recitative for Armida, Il traditor ... more details
opposed to the free meter of many interspersed recitative s. A turning point from distress ... follows Alfred D rr . Other authorities don t count the bass recitative as a separate movement. Music ... with recitative in both, in lines 1 to 3 the strings open, the oboes enter, oboe I playing ... by the recitative of the questioning single voice, alto in the first movement, soprano in the later ... played by violin I. Then a final secco recitative leads to a repeat of lines 4 and 5, this time similar ... anxiety the solo recitative interjections and belief the choral delivery of the hymn stanzas . The cantata ... more details
DISPLAYTITLE Ich habe genug , BWV 82 File Rembrandt Harmensz. van Rijn 056.jpg thumb 300px Anna Bible Hanna and Simeon Gospel of Luke Simeon behold Christ. Painting by Rembrandt in the Kunsthalle Hamburg Ich habe genug original Ich habe genung , English I have enough , Bach Werke Verzeichnis BWV 82, is a Bach cantata church cantata by Johann Sebastian Bach . He composed the solo cantata for bass in Leipzig in 1727 for the Feast of the Purification of the Virgin purification of Mary and first performed it on 2 February 1727. ref name D rr cite book last D rr first Alfred authorlink Alfred D rr title Die Kantaten von Johann Sebastian Bach year 1971 publisher B renreiter Verlag oclc 523584 volume 1 language German ref The prescribed readings for the feast day were taken from the book of Malachi , the Lord will come to his temple Sourcetext source Bible version King James book Malachi chapter 3 verse 1 range 4 , and from the Gospel of Luke , the purification of Mary and the presentation of Jesus at the Temple , including Simeon Gospel of Luke Simeon s canticle Nunc dimittis Sourcetext source Bible version King James book Luke chapter 2 verse 22 range 32 , on which the libretto is based. It is scored for Bass voice type bass , oboe , two violin s, viola , and Figured bass Basso continuo basso continuo . Aria Ich habe genug Recitative Ich habe genug Aria Schlummert ein, ihr matten Augen Fall asleep, you weary eyes Recitative Mein Gott wenn k mmt das sch ne Nun My God, when will the lovely word come Now Aria Ich freue mich auf meinen Tod I look forward to my death Another versions exist for soprano as BWV 82a , transposed from C minor to E minor with the oboe part replaced by flute and slightly altered.The first recitative and most of Schlummert ein with a simple bass accompaniment are found transcribed in the Notebook for Anna Magdalena Bach , transposed up a tenth so that they are singable by a low soprano, presumably done by Anna Magdalena Bach for her own use. Recordin ... more details
recitative section at the beginning of this movement s recapitulation, again ending to fast and suspenseful ... of the first movement both through use of a rolling recitative like arpeggio on the first chord ... s recitative. Other ideas in this movement mirror the first, for instance, a figure in the eighth ... more details
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