audio recordings of Dhrupad music. Dutta has written numerous articles about terrorism in South Asia ... & I Magazine http www.raga.com text 221dhrupad text.html Dhrupad An Ancient Tradition http www.hinduonnet.com ... more details
Refimprove date July 2009 Infobox Instrument name Surbahar names image Sur2.jpg classification Necked bowl lutes String instruments range related Surbahar Rudra veena Saraswati veena Chitra veena Vichitra veena Sarod Sursingar Tambura Surbahar lang ur lang hi , sometimes known as bass sitar , is a plucked string instrument used in the Hindustani classical music of North India . It is closely related to sitar , but it has a lower tone. Depending on the instrument s size, it is usually pitched two to five whole steps below the standard sitar, but Indian classical music having no concept of absolute pitch, this may vary. The instrument can emit frequencies lower than 20 Hz. Overview Surbahar is over 130 cm 51 inches . It uses a dried gourd as a resonator, and has a neck with very wide frets, which allow a glissando of six notes on the same fret through the method of pulling. The neck is made out of tun Cedrela tuna , or teak wood. It has four rhythm strings cikari , four playing strings the broadest 1 mm , and 15 to 17 unplayed sympathetic strings . There are two bridges the playable strings pass over the greater bridge, which is connected to the tabli with small legs, which are glued in place. The sympathetic strings pass over the smaller bridge which is directly glued on the tabli. The main bridge has a slightly bent upper surface which results in a droning sound, because the vibrating span of the strings quivers ever so slightly. The instrumentalist plays the strings using a metallic plectrum , the mezrab mizrab , which is fixed on the index finger of whose right hand. Three plectrums are used to play the dhrupad style of alap , jor , and jhala on surbahar. In the dhrupad style, instead of performing the sitarkhani and masitkhani gats, the instrumentalist plays the slow dhrupad composition in accompaniment with pakhavaj pakhawaj . Some researchers believe that surbahar was invented around 1825. Though the invention is generally at ... more details
of notes in a straight sequence and at a Vilambit pace. Both Dhrupad and khyal singing evolved in Gwalior and there are many overlaps. In the khyal style there is one form, Mundi Dhrupad , that incorporates all the features of dhrupad singing but without the Mukhda . Common ragas include Alhaiya ... more details
, Meera sang that raga on the bank of Satluj in front of a crowd. As soon as she finished the Dhrupad ... Bawra, Baiju ALTERNATIVE NAMES SHORT DESCRIPTION India n dhrupad singer DATE OF BIRTH 1542 PLACE ... more details
refimprove date September 2010 The sursingar International Alphabet of Sanskrit Transliteration IAST IAST sursi g r , sursringar or surshringar is a musical instrument from India. It is a lute derived sarod , except it is larger in size and produces a deeper sound. It precedes the sarod chronologically. Its neck has a metal fingerboard and the steel and bronze strings are played with a metal pick, while the bridge is made of a flat horn. It has two resonant boxes the main box is made from a cut pumpkin, on which a wooden cover is attached. ref Ram Avtar Vir. Musical Instruments of India. ISBN 81 87155 65 5 ref Construction The main body is made of wood and not leather the material used in earlier instruments . The sound producing mechanism of the instrument is formed by a gourd. The gourd is attached to a hollow wooden handle. The handle is sometimes covered with a metal plate to facilitate the glissando . It has four main strings and four rhythmic Drone music drones chikari . The strings are usually made of brass instead of catgut used in earlier instruments . These modifications resulted in the increase of resonance in the instrument and thereby in its popularity. The instrument is supported by the left shoulder, as the veena and is played with a plectrum mezrab or tab and sometimes with a bow . It is used to play music in the Hindustani style Dhrupad . Noted performers Baba Allauddin Khan had a few recordings as possibly did Pandit Radhika Mohan Maitra . External links http www.parrikar.org music bhoop allauddin shuddhakalyan.rm Audio clips at Parrikar.org References reflist Category Indian musical instruments Category Lutes ... more details
Infobox music genre name Hori color bgcolor stylistic origins cultural origins Northern India instruments popularity Semi Classical, Folk derivatives subgenrelist subgenres fusiongenres regional scenes local scenes other topics Hori is a genre of Hindustani classical music semi classical singing, popular in Uttar Pradesh and Bihar . ref cite news title Rashmi s impressive solo author url http www.hindu.com thehindu fr 2007 09 07 stories 2007090750080200.htm newspaper The Hindu date accessdate 16 January 2012 ref ref cite news title An Utsav to breathe life into Thumri author url http articles.timesofindia.indiatimes.com 2011 03 14 kolkata 28687737 1 indian classical music dhrupad babul newspaper Times of India date accessdate 16 January 2012 ref It can be adorned with a Bhairavi , ref cite news title My Favourite Raga author url http www.hindu.com fr 2008 09 19 stories 2008091951330800.htm newspaper The Hindu date accessdate 16 January 2012 ref , Thumri etc. It comes in the series of season songs, like Chaiti , Sawani and Kajari , and is traditionally sung in the villages and towns of Uttar Pradesh around Banaras , Mirzapur , Mathura, Uttar Pradesh Mathura , Allahabad and the Bhojpur district, Bihar Bhojpur regions of Bihar . References reflist Hindustani Classical Music page end Category Indian styles of music Category Hindustani music Category Culture of Uttar Pradesh Category Culture of Bihar music genre stub hi ... more details
, Zeelaf and Sarpada . He created the qawwali genre, which fuses Persian melody and beat on a dhrupad ... form known as dhrupad saw considerable development in his court and remained a strong point of the Gwalior ... more typically in Dhrupaddhrupad bandishes Aabhog The fourth and concluding body phrase or line of a fixed, melodic composition, seen more typically in DhrupadDhrupad bandishes . There are three ... associated with Hindustani classical music are dhrupad , khyal , and tarana . Other forms include Dhamar ... do not adhere to the rigorous rules of classical music. Dhrupad Main DhrupadDhrupad is an old style ... music in dhrupad. Dhrupad music is primarily devotional in theme and content. It contains recitals in praise of particular deities. Dhrupad compositions begin with a relatively long and acyclic .... The great Indian musician Tansen sang in the dhrupad style. A lighter form of dhrupad, called Dhamar music dhamar , is sung primarily during the festival of Holi . Dhrupad was the main ... in Indian princely states, dhrupad risked becoming extinct in the first half of the twentieth ... popularization in India and in the West. Some of the best known vocalists who sing in the Dhrupad ... Ram Chatur Mallick, Siyaram Tiwari, and Vidur Mallick. A section of dhrupad singers of Delhi Gharana ... on Dhrupad . Khyal, literally meaning thought or imagination in Hindi Urdu , is unusual as it is based .... The origination of Khyal is controversial, although it is accepted that this style was based on Dhrupad ... more details
Sham Chaurasia gharana is a gharana musical heritage in Hindustani classical music , known for the singing of vocal duets, most notably represented in modern times by the brothers Salamat Ali Khan and Nazakat Ali Khan . The gharana is centered at a village of the same name in the Hoshiarpur district of Punjab India variant spellings include Shamchurasi etc. History The gharana is believed to have been founded in the 16th century by Mian Chand Khan and Mian Suraj Khan who were contemporaries of Mian Tansen at the court of Mughal emperor Akbar . Successive generations of musicians in the gharana specialised in the dhrupad form of singing and evolved a tradition of duet vocal jugalbandi performances. Mian Karim Bukhsh Majzoob, Ustad Ahmed Ali Khan, Ustad Niaz Hussain Shami, and Ustad Vilayat Ali Khan were some of the illustrious members of the Sham Chaurasi gharana. The township of Sham Chaurasia sham evening, chaurasi 84 was named after a cluster of 84 villages which constituted a land revenue unit ref cite news title A town called Eightyfour Evenings publisher The Tribune url http www.tribuneindia.com 2003 20030628 windows above.htm ref in the time of Ranjit Singh . According to one legend, the founders were given a parcel of land here as a grant to them by Akbar ref name shahid . Prominent exponents Around the turn of the century, the gharana was represented by Ustad Vilayat Ali Khan, who was noted for his dhrupad singing. His sons, Nazakat and Salamat, were to become particularly well known for their duet singing. Nazakat and Salamat Ali Khan Some of the most memorable classical music of modern times have been sung by the brothers Ustad Nazakat Ali Khan 1920s 1984 and Salamat Ali Khan 1934 2001 . Salamat showed an early genius for music, and apparently they performed on radio in 1942, when Salamat was only 8. At the age of 11 he travelled with Nazakat to Amritsar for a memorable concert When the performance started, it seemed like a feast of musical notes had desce ... more details
Infobox music festival music festival name Darbar festival image File Darbar1.jpg caption location London years active 2005 present founders Sandeep Singh Virdee dates genre Indian classical music website URL www.darbar.org.uk The Darbar Festival is an Indian classical music festival that takes place every Easter weekend in London . It brings together musician s from the north Indian Hindustani classical music Hindustani and south Indian Carnatic music Carnatic classical traditions. ref cite web url http www.darbar.org.uk title Darbar Arts Culture Heritage Trust accessdate 2010 02 11 ref Darbar Festival artists 2009 Harmeet Virdee sitar Ashwini Bhide Deshpande North Indian Hindustani classical music Hindustani vocal Ganesh and Kumaresh South Indian Carnatic music Carnatic violin Rupak Kulkarni Bansuri or North Indian bamboo flute Aruna Sairam South Indian Carnatic vocal Somjit Das Gupta rabaab and Sukhvinder Singh Pinky jori Tejendra Majumdar sarod and Pandit Kumar Bose tabla UK Carnatic Ensemble Wasifuddin Dagar dhrupad vocal Purbayan Chatterjee sitar and Shashank Subramanium venu or Carnatic flute Satish Kumar mridangam and Sukhvinder Singh Pinky jori 2010 1 April Encounter Patricia Rozario and Veena Sahasrabuddhe 2 April Double Concert Carnatic Veena Sarangi Tabla Solo by Satyajit Talwalkar Double concert Sunil Kant Gupta Ranjani and Gayatri Film Ramchand Pakistani 3 April Hindustani Khayal with Veena Sahasrabuddhe An Audience with santoor maestro Pandit Shiv Kumar Sharma Kushal Das on sitar Exploring the Tanpura A musical discussion Double Concert North South Indian Percussion Dhrupad with the Gundecha Brothers Film Lovesongs Yesterday, Today & Tomorrow 4 April Rajhesh Vaidhya Carnatic Veena with a Difference An audience with Ranjani & Gayatri Venkatesh Kumar Exploring the Kanjira A musical discussion Double concert sarod recital santoor by Pandit Shiv Kumar Sharma Film Zubeidaa 6 April Cobham, Surrey Sunil Kant Gupta on Indian Flute 9 April Birmingham, Town Hal ... more details
s court, and the renowned dhrupad singer and composer Baiju Bawra Baiju . He later shifted his residence ... source of his music but also because they are musically constructed in a manner similar to dhrupad s. He ... more details
studied dhrupad and thumri with Ganeshilal Mishra and Bhaiya Ganpatrao, respectively. Performing career ... sarod compositions, dhrupad and thumri, Hafiz Ali Khan was particularly appreciated in the Viceregal ... more details
Hindustani Classical Music infobox A dhrupad set to the 14 beat time signature dhamar tala music tal is called a dhamar . It is seen as a light musical form, and associated with the Holi hori Spring Festival of colours. Dhamar theka has 14 matra in length divided in 4 vibhag 3 Tali, 1 Khali , Pattern 5 2 3 4 Gurbani Shabad sung in Dhamar Taal & in Raag Mali Gaura .... Har Samrath Kee Sharanaa ... Raag Mali Gaura ... See this page http gurmatgiangroup.com 2012 01 17 har samrath kee raag mali gaura Dhamar Taal is played over Pakhawaj A Classical Indian Instrument . Sounds are made over beats in two ways namely ekgun and dugun EKGUN 1 2 3 4 5 6 7 8 9 10 11 12 13 14 S S DUGUN 1 2 3 4 5 6 7 8 9 10 11 12 13 14 S S S S Theka The Theka for Dhamar u Ka u u Dhi u u Te u u Dhi u u Te u nowiki nowiki u Dha u u u nowiki nowiki sup x sup sup 2 sup u Ga u u Ti u u Te u nowiki nowiki u Ti u u Te u u Ta u u u nowiki nowiki sup 0 sup sup 3 sup The form of Dhamar is clapped as follows Clap 2 3 4 5 Clap 2 Wave 2 3 Clap 2 3 4 India stub Hindustani Classical Music page end DEFAULTSORT Dhamar Music Category Indian styles of music Category Hindustani music Category Hindustani talas ... more details
Raja Chatrapati Singh 1919 &ndash 1998 was an India n percussionist . He was famous for his virtuosity on on Pakhavaj drums used in Hindustani Classical Music . Biography Chatrapati also spelled Chhatrapati Singh Ju Deo was born in the Royal family of Bijna State in Uttar Pradesh, bordering Madhya Pradesh , India . His grandfather Raja Mukund Singh and father Raja Himmat Singh were partrons of music. He showed a great deal of interest in music from a very early age and started learning Pakhavaj from a number of masters including Shri Kudau Singh Ji and Swami Ramdas Ji. He became the foremost exponent of Pakhavaj of his era. He accompanied all the great Dhrupad vocalists including the http www.dagar.org Dagar Brothers and Pt. Ram Chatur Malik . His daughter Chandra Singh is a talented Sitar player and his son Raja Surya Pratap Singh also used to play the Sitar and frequently accompanied his father during his programs. Singh was awarded with the Sangeet Natak Akademi award in 1991. Apart from music he was very fond of chess and mathematics and has written a treatise on knight moves in chess called Ashwa Nirupan Granth . Singh died in 1998. External links http kippen.org p masters rajasahib.html Short Biography http www.dhrupad.org teacher index.htm Another Biography http www.uq.net.au zzhsoszy ips b bijna.html Family Tree Persondata Metadata see Wikipedia Persondata . NAME Singh, Chatrapati ALTERNATIVE NAMES SHORT DESCRIPTION DATE OF BIRTH 1919 PLACE OF BIRTH DATE OF DEATH 1998 PLACE OF DEATH DEFAULTSORT Singh, Chatrapati Category 1919 births Category 1998 deaths Category Indian musicians Category Recipients of the Sangeet Natak Akademi Award drummer stub ... more details
Mahamanyabar Yuvraj Rajkumar Srila Srijukta Nabadwipchandra Dev Burman 1854 September 5, 1931 , also transliterated as Nabadwip Chandra Deb Barman , was a noted India n sitar ist and Dhrupad singer. He was music director Sachin Dev Burman s father. N. D. Burman was the second son of Ishanachandra Dev Burman, Raja of Tripura r. 1849 1862 ref http www.4dw.net royalark India tripura5.htm tripura5 Bot generated title ref . He and his elder brother were at their father s death in 1862 excluded from the throne of Tripura by their paternal uncle Birchandra, but from 1923 to 1927 he was President of the Regency Council of Tripura for his kinsman Kishore Deb Barman, Maharaja of Tripura r. 1923 1947 . He was granted the personal title of Mahamanyabar on January 31, 1928. N.D. Burman was married to Nirupama Devi ref http www.sdburman.net website Articles Article MereSangeetBhareDin.htm ref , by whom he had nine children including the famed Bengali singer and Indian film music director Sachin Dev Burman the youngest of five sons . References reflist http www.uq.net.au zzhsoszy ips t tripura.html Tripura Genealogy at Queensland Univ Persondata Metadata see Wikipedia Persondata . NAME Burman, Nabadwipchandra ALTERNATIVE NAMES SHORT DESCRIPTION DATE OF BIRTH 1854 PLACE OF BIRTH DATE OF DEATH September 5, 1931 PLACE OF DEATH DEFAULTSORT Burman, Nabadwipchandra Category 1854 births Category 1931 deaths Category Indian Hindus Category Indian singers Category Tripuri people India royal stub India singer stub ... more details
Digambar and Bhatkhande paddhati. Definitions Khayal, Dhrupad, Dhamar, Tappa, Thumri, Bhajan, Ghazal ... writing Dugun and Chaugun of Dhrupad and Dhamar detailed knowledge of Swaralipi of Vishnu Digambar ... from written Swaralipi knowledge of Ada Chautal, Adha, Punjabi Dhumali, Chacher and Sul. Dhrupad ... of these Ragas and also of Dhrupad, Dhamar, Maseetkhani and Razakhani Gat, Trivat, Chaturang ... more details
For the Korean company Sunil Industry Sunil is a common Hindu male name meaning deep, dark blue color . It may refer to Sunil actor , actor in the Telugu film industry Sunil Kumar Ahuja born 1961 , professor of Medicine, Microbiology, Immunology & Biochemistry at University of Texas Health Science Center Sunil Chhetri born 1984 , Indian footballer Sunil Dhaniram born 1968 , Canadian cricketer Sunil Dutt 1928 2005 , born as Balraj Dutt, Indian Hindi movie actor, producer, director and politician Sunil Dutta , author, social activist, scholar of music and poetry. He is the president of the North American Dhrupad Association Sunil Edirisinghe , Sri Lankan musician Sunil Erevelles Associate Professor of Marketing at the Belk College of Business at the University of North Carolina Sunil Gangopadhyay born 1934 , Indian poet and novelist Sunil Gavaskar , cricketer Sunil Gulati , current president of the United States Soccer Federation Sunil Khan , Indian politician Sunil Lahri , also called Sunil Lahiri or Sunil Lehri, Indian actor Sunil Mittal , Indian businessman Sunil Nayar , Indian American television writer and producer Sunil Babu Pant , Nepali politician Sunil Perera , Sri Lankan musician, part of the Sri Lankan band The Gypsies Sunil Prajapati Sunil Sharma Chairman, Gyanvihar University Sunil Sahu Sunil Santha Sunil Shetty , Actor Samvrutha Sunil Sunil Tagare Sunil Wettimuny Sunil Vaswani , Chairman of Stallion group, Nigerian billionaire Sunil, a character in the HBO drama In Treatment portrayed by Irrfan Khan Disambiguation Category Hindu given names Category Indian masculine given names ... more details
Infobox musical artist name Ustad Inayat Hussain Khan image caption image size background solo singer birth name Born 1849 Died 1919 aged 70 origin Sahaswan , India genre Hindustani classical music , br Rampur Sahaswan gharana occupation Indian classical music Classical Vocalist years active label website Ustad Inayat Hussain Khan 1849 1919 lang ur was an Indian classical music Indian classical vocalist, and the founder of Rampur Sahaswan gharana . Early life Born in Sahaswan , Badaun district to Ustad Mehboob Khan, a khayal singer and Veena player of the Rampur, Uttar Pradesh Rampur court. He was taught traditional khayals and the exquisite taranas created by Bahadur Hussain in all major raga s and also many rare ones. He was trained and lived in Rampur, and his gharana came to be called Rampur Sahaswan gharana. ref http www.ustadrashidkhan.com gharana hist.htm Gharana History ref Career He was a child prodigy. He married the daughter of Haddu Khan of the Gwalior gharana , and trained from Ustad Bahadur Hussain Khan, a descendent of Tansen . His singing style has influences of the Dhrupad singing typical of the Gwalior gharana, and the Rampur Shahaswan style is sometimes regarded as an off shoot of the Gwalior gharana. ref Rampur Sahaswan Gharana ref References Reflist 2 Persondata Metadata see Wikipedia Persondata . NAME Khan, Inayat Hussain ALTERNATIVE NAMES SHORT DESCRIPTION DATE OF BIRTH 1849 PLACE OF BIRTH DATE OF DEATH 1919 PLACE OF DEATH DEFAULTSORT Khan, Inayat Hussain Category 1849 births Category 1919 deaths Category Hindustani singers Category Indian musicians Category People from Badaun ... more details
studied Haveli Sangit and Samaj Gayan, two genres of devotional music allied with Dhrupad, from musicians ... century. Beck has also learned Dhrupad from the Dagar Brothers in Delhi, and at the Chhandam Institute of Dhrupad in north Calcutta. He has since performed in several national music conferences in India ... in Dhrupad of the fourteenth century. For this research and training, he was affiliated with the ITC ... and radio artists of Dhrupad and Khyal. Vijay Kichlu, a disciple of Ustad Latafat Husain Khan ... more details
drum accompaniment alap is given much less room in khyal than in dhrupad. As the songs are short ... acquired the dignity of Dhrupad and the manner of the veena in its glide or meend , plus a number of musical ... more details
unreferenced date May 2008 Music of India sidebar Bihar is a states and territories of India state of India . The classical form of the Indian music is already quite well known for example, Bihar has produced musicians like Bharat Ratna Ustad Bismillah Khan and dhrupad singers like the Malliks Darbhanga Gharana and the Mishras Bettiah Gharana and the classical music in Bihar is but a form of the Hindustani classical music . Hence this article deals with the folk culture of Bihar which is rather distinctive. Bihar is among the few Indian states which has a rich subaltern culture. The region s folk song s are associated with the various events in the life of an ordinary person. The folk music of Bihar has so deeply permeated in the life of the people that it is still alive.During the famous chhath parva of Bihar, there is much music and a lot of singing of folk songs, both at home and on the river bank.The historical ballads dealing with the heroic deeds of the freedom fighter Kunwar Singh have also been immortalized through folk songs in the plain tracts of Bihar.Religiosity is the pivot around which the music and amusements of the village http www.bihargatha.in the history of the dialects folk and proverbs folk music of bihar folk of Bihar revolve.There are songs like sohar performed during childbirth , sumangali associated with wedding song wedding , ropnigeet performed during the season of sowing paddy, katnigeet performed during the paddy harvesting season, purbi, chaita, hori, bidesia, ghato, birha, kajari, irni birni, pachra, jhumar, jatsari, aalah, nirgun, and samdaun. There is also the tradition of war songs called Beer Kunwar. The influence of Bihari music in seen in regions such as Mauritius , South Africa and the Caribbean , where a large of Bihari indentured labourers were taken as coolies during the nineteenth century as well as Pakistan and Bangladesh where many Bihari Muslims migrated to after the partition of India. There is a great tradition of folk ... more details
Varm , Varman , Verma , Burman or Barman are names with origins as traditional Hindu honorific titles in India and South East Asia. In modern times, these surnames have been adopted by several other communities. Traditional usage Varma and its variants, meaning shield , was originally used by warriors. ref Walker, Benjamin. The Hindu World An Encyclopedic Survey of Hinduism. New York Frederick Praeger, 1968. ref Page needed date December 2011 It is referred to in the Parashar Grahe Sutra as an old title of Aryans Royal Medes Kshatriyas, and which then spread beyond India to other regions. Citation needed date December 2011 Although primarily a Kshatriya title, Brahmins in parts of Orissa also used it despite being, by definition, not of the Kshatriya Varna Hinduism varna . ref cite book url http books.google.com books?id Z8QBAAAAMAAJ&q Varma title&dq Varma title&lr &pgis 1 title Life in medi val Orissa, cir. A.D. 600 1200 first Ayodhya Prasad last Sah publisher Chaukhambha Orientalia year 1976 page 123 ref Modern usage Its modern usage as a surname without political meaning can be found among Indian Hindu Kshatriya communities such as those of Bengal, Assam and Tripura, as well as by the Raju s, Bunt community Bunts , Mair kshatriyas Mairs , the various Suryavanshi and Agnivanshi Kshatriyas of Tamil Nadu, the Samanta Kshatriya s, and the Kushwaha . Some Kayastha s also use the nomenclature in this form. cn date February 2012 Notable people with surname Varma or its variants include Raja Ravi Varma , of Kilimanoor Palace, Travancore Indian painter Ram Gopal Varma , Indian film director Sachin Dev Burman , belonged to the Tripura royal family Indian music composer and singer Rahul Dev Burman , Indian music composer and singer, son of Sachin Dev Burman. Nabadwipchandra Dev Burman , from the Tripura royal family Indian Sitarist and Dhrupad singer Bharat Dev Varma , from the Tripura royal family father of Riya Sen and Raima Sen actresses Somdev Devvarman Somdev Dev Varm ... more details
unreferenced date April 2009 File Imdad Khan with surbahar.jpg thumb 303px Khan with a surbahar Ustad Imdad Khan 1848 1920 was a sitar and surbahar player. His two sons Enayat Khan and Wahid Khan , his grandsons Vilayat Khan and Imrat Khan , and great grandsons Shahid Parvez , Shujaat Khan , Nishat Khan , Irshad Khan , Wajahat Khan , Shafaatullah Khan and Hidayat Khan have all upheld his musical tradition, musical luminaries themselves. Khan was born in Agra , as the fourth generation of what was to become the Imdadkhani Gharana school or Etawah gharana, named after the village outside Agra where the family soon moved. He was taught by his father, Sahabdad Khan, a trained vocalist and self taught sitar player, but Imdad came to greatly develop and define the family style and techniques. Imdad Khan was also trained by the legendary beenkar Bande Ali Khan disciple and son in law of Haddu Khan . In the 19th Century, the instrumental classical music of North India was dominated by the Senia style, passed down through the musical dynasty of Miyan Tansen Miyan Tansen s descendants, who played in the dhrupad ang . Imdad instead evolved a style based on the newer, more popular khyal singing. It is said that in his youth at Etawah , Imdad practiced on the sitar in a state of Chilla katna chilla isolation for some twelve years. When he moved with his family to Kolkata , the house in which they lived was named Riyaz practice . Imdad attained great fame in his lifetime he played for Queen Victoria in Delhi he served as a court musician in Mysore and Indore , and he was the first sitar player ever to be recorded. Some of these recordings have been released on CD, on the Great Gharanas Imdadkhani compilation in RPG EMI s Chairman s Choice series. He taught the sitar and surbahar to his two sons, Enayat Khan Enayat and Wahid Khan , whom he used to refer to as his two hands. Although both of them played the sitar and the surbahar, Enayat Khan specialized on the sitar and Wahid Khan ... more details
Encyclopedia
top
