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The AFI Conservatory is a division of the American Film Institute founded in 1969, located in Hollywood's Griffith Park. The school is the only existing Master of Fine Arts conservatory in advanced film education. In July 2011, it was voted the #1 film school in the world by The Hollywood Reporter which called it among the most selective film schools in America, with its Fellows benefiting from speakers and teachers drawn from the highest levels of the industry, supported by the full weight of AFI itself...AFI's glittering parade of alumni, from David Lynch to Darren Aronofsky, remains unrivaled when it comes to auteur filmmakers...If you know where you're going, AFI can get you there. It is ranked in the top 5 graduate film programs along with USC, UCLA, NYU and California Institute of the Arts by the Princeton Review and US News and World Report[1] Over the years, the program has graduated 3,000 fellows, many of whom went on to become influential Hollywood filmmakers. Notable alumni include: John Cassavetes, David Lynch, Terrence Malick, Todd Field, Carl Franklin, Paul Schrader, Victor Nu ez, Andrea Arnold, Patty Jenkins, Robert Elswit, Janusz Kami ski, Wally Pfister, Caleb Deschanel, Robert Richardson, Carl Colpaert, Darren Aronofsky, Martin Brest, John Dahl, Bill Duke, Amy Heckerling, Mimi Leder, Matthew Libatique, Patrick Creadon, John McTiernan, Edward Zwick, Arthur Dong, Scott Frank, Susannah Grant, Jeff Nathanson, Elizabeth Sung, Alon Bar, Chris Donahue, and Eric Red.[2]
Conservatory program AFI Conservatory is a five-term Master of Fine Arts program in six disciplines: Cinematography, Directing, Editing, Producing, Production Design, and Screenwriting. Traditionally, the Conservatory accepts 28 students - called Fellows - per year for most disciplines and 14 for Design and Editing. First Year - Fellows from all disciplines work on at least three digital video or high definition short films (up to 20 minutes), appropriately referred to as 'cycle projects'. Each of these first-year projects are accomplished by the fellows with a minimum of oversight from the senior faculty. The purported goal being to stimulate a flexible and creative approach to filmmaking within imposed budgetary constraints and without the crutch of seasoned oversight. These 'cycle projects' make up the core curriculum of the first year experience and amount to a 'boot camp" of filmmaking that simultaneously challenges and invigorates the fellows involved. Second Year - Most fellows work on at least one thesis short film, shot on digital video, high definition, 35mm film, or 16mm film, and develop portfolio materials (such as a reel and a feature film screenplay). Screenwriting fellows have the option of writing two feature length screenplays instead of participating in a thesis film. They are responsible for raising the bulk of their own financing for these projects (average budget is $30,000), and must adhere to standard industry regulations, such as SAG charter rules, during filming. The senior faculty of the conservatory oversee the development of the 'second year' projects and monitor their development in a manner similar to what might be expected of an Executive Producer.[3] Student work AFI Conservatory student thesis or second year films can be seen at the AFI Los Angeles International Festival. References External links tr:Amerikan Film Enstit s Konservatuvar
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